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Word: poitiers (lookup in dictionary) (lookup stats)
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...WITH LOVE. This film about a British Guianian (Sidney Poitier), who takes a teaching job at a London slum school, attempts to blend realism with idealism-an unstable mixture saved only by Poitier's catalyzing warmth...

Author: /time Magazine | Title: Television: Aug. 4, 1967 | 8/4/1967 | See Source »

...author's gentle and poetic little 1962 novel The Lilies of the Field went almost unnoticed as a book, but made it fairly big as a motion picture. Actor Sidney Poitier won an Oscar portraying Homer Smith, the book's footloose handyman hero, who used ingenuity, faith and adobe bricks to build a Catholic chapel for a penniless order of German-speaking nuns. In this sequel, Homer works another miracle when, pressed into service as an evangelist at an old-fashioned hallelujah tent meeting, he inspires a crippled girl to walk. Although his tale is almost too short...

Author: /time Magazine | Title: Books: Short Notices: Jul. 21, 1967 | 7/21/1967 | See Source »

...WITH LOVE. Sidney Poitier in the role of an engineer-turned-teacher in a London slum school. The interim job becomes a dedication to turning hippies and chippies into grownups...

Author: /time Magazine | Title: Time Listings: Jul. 14, 1967 | 7/14/1967 | See Source »

...rebellion. The shock treatment works. The class regards him with a mixture of awe and fear, begins to call him "Sir." One of the girls (Judy Geeson) falls in love with him, and one of the boys challenges him to a boxing match. The boy loses, gaining Poitier the final measure of respect. By the time that Poitier receives a job offer from a Midlands factory, the once hostile class has become a bunch of friendly natives who present him with a pewter mug-to "Sir," with love. In grateful tears, Poitier rips up the letter from the factory...

Author: /time Magazine | Title: Cinema: Class War | 6/30/1967 | See Source »

...with Love attempts to blend realism and idealism, an unstable mixture. Some scenes, for example a museum visit shown in still pictures, are as static as a photograph album. Still, even the weak moments are saved by Poitier, who invests his role with a subtle warmth. In the end, he makes his point: the world can use more Sirs...

Author: /time Magazine | Title: Cinema: Class War | 6/30/1967 | See Source »

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