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Irrelevant? Sure, but why not occasionally, to keep the sharp people on their toes and to poke ambiguous fun at programs and competitiveness that were incapable of definition, journalistic or otherwise...

Author: By Bill Scheft, | Title: Savoir Faired Well | 5/11/1978 | See Source »

...into an integrated whole. Holly Whipple's glib "In Sequins and Out," on the other hand, merely manipulated surfaces, whether of theatrical convention or of psychological cliche. The plot was straight out of "The Sorcerer's Apprentice," predictable from start to finish, though it detoured along the way to poke fun with elephantine subtlety at ballet, tap, show-dancing, stage mothers and theater people in general. Small girl, repulsively well-scrubbed, trips off to dance class. Glitteringly costumed dancers enter to whir through various routines like wind-up toys. Small girl joins them, they acclaim her: fantasy fulfilled. Suddenly, hints...

Author: By Juretta J. Heckscher, | Title: More Than a Theory | 4/19/1978 | See Source »

...Bingham roundtripper, his second in two games, was a little less influential than his three-run poke against UMass (it came in the ninth to make the score 5-0), but not without a certain amount of clout, as it finally came to roost about twenty feet past the right field snow fence at Briggs Field...

Author: By Bill Scheft, | Title: Brown's One-Hitter Railroads MIT Engineers, 5-0 | 4/12/1978 | See Source »

...gutsy, bold dancer with almost palpable physical courage. She flings herself into the role of Kitri. Her foot hits the back of her head when she jumps (and she leaps the night away). Her attacks are almost stabbing. Her fan flips constantly - unless she is using it to poke Basil. She so clearly relishes keeping him in line that one wonders if there isn't a bit of a shrew in his future...

Author: /time Magazine | Title: Dance: The Americanization of Don Q | 4/3/1978 | See Source »

...laughs that can be found in All You Need Is Cash are visual. Idle and Weis have reshot sequences from Richard Lester's mod Beatles films (now called A Hard Day's Rut and Ouch!) to poke wicked fun at their most faddish excesses; similar pranks have been pulled on the psychedelic animation of Yellow Submarine. Unfortunately, the show's creators have not lavished nearly so much care on their casting. The four Rutles (Idle, Innes, John Halsey, Rikki Fataar) are virtually indistinguishable, and their performances are morbidly charmless...

Author: /time Magazine | Title: Television: Help! | 3/27/1978 | See Source »

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