Word: pola
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Dates: during 1970-1979
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...number of their shops, but keep a firm hand on their agents. Buccellati and Bulgari are brother acts: one brother minds the store in New York while the others produce the jewels back home. Salvatore Ferragamo, who got his start making shoes for Silent Screen Stars Mary Pickford and Pola Negri, left his business to his widow, six children and a nephew. Mario of Florence lives in Manhattan and commutes to his factory in Florence. "I think I'm Alitalia's best customer," says Giuliana di Camerino, who lives in Venice and commutes to New York...
...long struggle between Communists, Socialists and Nazis. The popular stance in politics was a traditionally stolid German "Ohne mich"-"Include me out." Friedrich describes a night when, despite fighting in the streets, U.F.A., Germany's giant movie company, went ahead with its press preview for Carmen, starring Pola Negri and directed by Ernst Lubitsch. "The champagne was chilled to perfection," Miss Negri recalled. "We sat down and the film began. I heard a faint sound in the distance . . . gunfire." Had he heard it too? Miss Negri asked Lubitsch. "Shh," said Lubitsch. "There's nothing anybody can do. Watch...
...Tangier. "Acting is a Gesell-schaftspiel" declared Budapest-born Lukas. "When I speak lines in a play, I mean them; I am talking to someone. It's all real." Brought to America by Producer Adolph Zukor in 1927, Lukas first appeared on the Hollywood silent screen opposite Pola Negri in Loves of an Actress. He took a recess from films and in 1941 scored his greatest stage triumph portraying Kurt Müller, the dogged anti-Nazi hero of Lillian Hellman's Watch on the Rhine. Three years later he received an Oscar for best actor when...
...modern, hip conception of the thirties. The ingenue is not just "lovely, fresh, and young," as Messrs. K. and H. described her: Kent Wilson's Alice is a veritable Breck poster girl, a walking Palmolive ad, a cutie who lifts her calf when kissed and who drops into a Pola Negri swoon when embraced. Colin Cabot's Tony, the boss' son, isn't just a thirties romantic; he crackles around the stage like a Keezer's clothes dummy...