Word: polack
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Dates: during 1960-1969
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...crudity. As when he branded the Baltimore Sun's Gene Oishi "the fat Jap" during the campaign. Or when he told a Chicago press conference: "When I am moving in a crowd, I don't look and say, 'There's a Negro, there's a Greek, there's a Polack.' " Or when his aide, C. D. Ward, barreled through a glass door at San Clemente and ended up with permanent facial scars; for fun, Agnew started calling him "Wolfgang...
Given the chance to choose again, Nixon might decide differently-although he would never admit as much. Agnew has proved something of an embarrassment as a campaigner. His "handlers" from the Nixon staff are relieved that there have been no missteps of the "fat Jap" or "Polack" variety for a few weeks. He has long since repented having called Humphrey "soft on Communism." But lately his political prose has acquired an almost Wallaceite ring. In Jacksonville last week he told a rally: "When little old ladies have to wear tennis shoes so they can outleg the criminals on city streets...
...about the dearth of Negroes in his audiences by saying: "Very frankly, when I am moving in a crowd I don't look and say, 'Well, there's a Negro, there's an Italian, and there's a Greek and there's a Polack.' " Before newsmen late last week, Agnew sought -with some success-to make light of the whole thing by referring to himself as "Greek, er, Grecian...
...nothing wrong with the Government thus verifying the truthfulness of the informer and protecting his credibility." Moreover, Warren himself wrote the majority opinion in a third case approving the tactics of a U.S. narcotics agent, who phoned Boston Marijuana Peddler Duke Lee Lewis at home, called himself "Jimmy the Polack" and arranged for Lewis to sell him eleven "bags" (71.5 grams) for $100. Although the Fourth Amendment shields a man's home, said Warren, a disguised agent is fully entitled to pierce the shield without a warrant when the home has actually become "a commercial center to which outsiders...
...member of Hadassah and begs her to let him view again a most intimate mole, in hopes of recovering the lost ecstasy of that first exposure to sexuality. What is ludicrous about this effaces what is poignant. The third and most effectively comic playlet, Orange Soufflé pits a "Polack whore" against her monthly client, an 88-year-old tycoon: she is hurt that he fails to recognize her social graces...