Word: polanski
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Stevens’ adaptation of the play, opening tomorrow at the Adams Pool Theater, is a Dorfman-Polanski hybrid with a dash of Stevens’ own dialogue thrown...
...jury that was expected to reward eccentricity and innovation (because it was headed by iconoclastic American auteur David Lynch) gave the Palme d'Or to Roman Polanski's The Pianist, a conventional, if sharply drawn, epic about a Jew surviving the Warsaw Ghetto. Second place, the Grand Prix, went to Aki Kaurismaki's The Man Without a Past?one of the deadpan-comic Finn's finest films, but more sweet than startling. And Im's thanks-for-coming prize was the only laurel Asia received. The one competing Chinese film, Jia Zhangke's Unknown Pleasures, got nothing. As for Hong...
...Jean-Pierre Dardennes' The Son, a touching drama about a troubled teenager and the carpenter whose son he killed. But after all the politico-ethnic tsimmes and tsouris, the Jury (headed by U.S. director David Lynch) gave its top award, the Palme d'Or, to Roman Polanski's Holocaust saga The Pianist, an epic adaptation of the 1946 memoir by Jewish musician and Warsaw Ghetto survivor Wladyslaw Szpilman. Cannes this year was good for the Jews, and not bad for world cinema. It is always dangerous to find political significance in movies. Films are not news bulletins; they are dreams...
...standard Hollywood film, Dean Corso (Johnny Depp) would be the villain: he sports a goatee, smokes and--gasp!--reads books. Yet in the Polanski netherworld, Corso is the hero, in search of the devil's autobiography. Before it goes both sluggish and batty, the movie offers some of the grace notes of classic thrillers. It's handsome and elaborate, with nicely quirky turns by Depp, Frank Langella and Emmanuelle Seigner (Mrs. P). Polanski, the perpetual exile, has made his most accessible film since fleeing the U.S. soon after Chinatown...
...power--a compound of rebel cheekiness, stylistic innovation and a tragicomic vision of media power--has never waned. It remains a work that seduces the young and inspires the old with thoughts of what the medium can achieve. RUNNERS-UP Day for Night by Francois Truffaut; Chinatown by Roman Polanski...