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...THIS BUSINESS," says Jack Nicholson--as J.J. "Jake" Gittis, private detective specializing in marriage difficulties, flushing his suave taunting smile and slender silver cigarette case--"you gotta have finesse." Nicolson does. And so, in this business of making thirties atmosphere detective thrillers, does Roman Polanski. He's made Chinatown the best film so far this year, an unpretentious homage to thirties detective flicks, the kind of tense story where the reviewer forgets to take notes about half-way through...

Author: By Phil Patton, | Title: A Fortunate Cookie | 7/16/1974 | See Source »

...during that time long ago that Chinatown, an exotic and cunning entertainment, takes place. It is very much molded, too, in the Chandler style, intricately written by Robert Towne and directed by Roman Polanski with a sort of edgy placidity that breaks into moments of sudden violence. Jack Nicholson, sporting a sort of drowsy panache, appears as a private investigator named J.J. Gittis, hired to tail the Los Angeles water commissioner, who is suspected by his wife of being unfaithful. But the commissioner is soon victim of a highly unlikely accident, dead of a fall into a reservoir drain...

Author: /time Magazine | Title: Cinema: Lost Angelenos | 7/1/1974 | See Source »

...Chandler that the movie is very deeply indebted. No film has ever succeeded quite so well as Chinatown in conveying the ambience of Los Angeles before the war-sun-kissed, seedy and easy. The city was a central metaphor for Chandler, and it is brought alive here by Polanski and his collaborators, Production Designer Richard Sylbert and Costume Designer Anthea Sylbert. The film was photographed by John Alonzo in subdued, warm hues that give the effect of time and distance without pickling everything in soft-focus nostalgia. Chinatown suggests a metaphorical history of Los Angeles. "Six suburbs in search...

Author: /time Magazine | Title: Cinema: Lost Angelenos | 7/1/1974 | See Source »

Dead-End Beat. Where the movie works less well is in characterization. Nicholson's Gittis is a clever piece of acting, funny and winning, but Polanski and Towne do not give him the chance to get into any depth. Gittis is a nickel-and-dimer trying to boost himself into the big time. He wears sharp, fussy suits and throws out a line of bright chatter. But there are still times when he sounds like the dumb cop on the deadend Chinatown beat. All this is fine, but it is all there is. Chandler made Philip Marlowe into...

Author: /time Magazine | Title: Cinema: Lost Angelenos | 7/1/1974 | See Source »

Chinatown as a whole shares something of Dunaway's problem. Get too close to it and the careful illusion breaks down. Polanski and Towne turned out a smart and elegant recreation. But the script also raises moral questions and political implications that are never plumbed at greater than paper-cup depth...

Author: /time Magazine | Title: Cinema: Lost Angelenos | 7/1/1974 | See Source »

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