Word: polanski
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...right away," the caller told Los Angeles police. "There's a man lying on the front lawn and blood all over the place. It looks like a bad one." It was even worse than the caller thought. When police reached the hilltop home rented by Film Director Roman Polanski (Knife in the Water, Rosemary's Baby) in the fashionable suburb of Bel Air, they found not one body but five. It was a scene as grisly as anything depicted in Polanski's film explorations of the dark and melancholy corners of the human character...
Telephone and electric lines leading to the red, barnlike house had been severed. The word "pig" was scrawled on the front door in blood. Inside, police discovered the body of Polanski's pregnant wife, Actress Sharon Tate, 26. She was clad in a bikini nightgown. A nylon cord, looped around her neck and passed over a beam, linked her body to that of Jay Sebring, 35, who had been her beau before her marriage. A hood covered Sebring's head, but the two appeared to have been stabbed or shot, not hanged. "It seemed kind of ritualistic," said...
...slaughter confined to the house. "There was ample blood all around," said a policeman. On the lawn lay the bodies of Voyteck Frykowski, 37, a friend and associate of Polanski's, and Abigail Folger, 26, heiress to her family's coffee fortune and a partner of Sebring's in his chain of men's hair-styling shops. In a white Ambassador sedan parked in the driveway was the body of an unidentified young man. All had been slain...
Like a Battlefield. Miss Tate, who was expecting her baby this week, had appeared on television and in movies. She met Polanski when he directed her in The Vampire Killers. She returned about two weeks ago from Europe, where she had reportedly been traveling with Polanski. He had planned to return to Hollywood in time for the birth of their child, but was still in London when the bodies were discovered. He wept when he heard the news...
...OTHER films, Jean Rouch's "Garedu Nord" is perhaps equally stunning and disturbing. Rouch who, along with Chris Marker, invented Cinema-verite (the difference between Maker and Rouch and the recent American copies is roughly that between the incredible Hitchcock of Vertigo and the bankrupt Polanski of Repulsion) is a master at forcing an audience to change their sympathies. Fantastically aware of the possibilities of a frame, Rouch can totally confuse a complacent viewer by having an actress turn her body about thirty degrees and in so doing undermine her earlier sympathetic position. In "Gare du Nord" these abrupt shifts...