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Word: polisher (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

People line up at UHS every morning of exams all plagued with various ailments. Lots of people have theories on how to make yourself sick enough to get out of a final: eat a lot of aspirin and drink a Coke; eat spoiled mayonnaise; polish off a quart of Charles River water; swallow chunks of chewing tobacco; say you're hearing voices (how can they tell?). One guy had his roomate smash his finger with a hammer. "It seemed like a good idea at the time," he says...

Author: By Nicholas Lemann and Richard Turner, S | Title: In the Bunker | 1/28/1976 | See Source »

There was no shortage of popular culture either. The Yiddish theater, which Howe shrewdly compares to Italian opera (where the emphasis is on virtuoso performance rather than content), was not shy about amending Shakespeare. Romeo and Juliet was set in a Polish village, and Friar Laurence was recast as a Reform rabbi. The famous performers originating in the ghetto included Al Jolson, the Marx Brothers, George Jessel, George Burns, Eddie Cantor, Sophie Tucker, Fanny Brice...

Author: /time Magazine | Title: Books: Assimilation Blues | 1/26/1976 | See Source »

...revolting theater--unreality becoming superreal--in the tradition of Franz Wedekind, early twentieth-century dramatist of the grotesque whose "The Queen from New Fun Land" inspired the ballet. Perhaps another influence is Jerzy Grotowski, Antonin Artaud's heir, whose company is based, along with The Polish Mime Ballet Theatre, in Wroclaw, Poland...

Author: By Susan A. Manning, | Title: Pas de Ghoul | 1/22/1976 | See Source »

EUROPEAN DANCE, however experimental (and The Polish Mime Ballet certainly is), tends to remain rooted in the art of theater. American dance, on the other hand, is often highly conceptual and not at all dramatic, a fact demonstrated by The Oberlin Dance Collective last week at the Radcliffe...

Author: By Susan A. Manning, | Title: Pas de Ghoul | 1/22/1976 | See Source »

Remaining pieces, Kimi Okada's tap dance "Hit or Miss" and Pam Quinn's "A Coup from the Blues," return to beat and music and the exuberant physicality of dance. Yet, set against the style of The Polish Mime Ballet Theater, these two works preserve an American earnestness, steering clear of overmuch theatricality--or sensuality...

Author: By Susan A. Manning, | Title: Pas de Ghoul | 1/22/1976 | See Source »

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