Word: polito
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Dates: during 1970-1979
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Love and Anarchy is not, however, a proletarian version of Day of the Jackal. It is equally about Tunin's being able to bring himself to commit this act of violence and about his love affair with a young whore (Lina Polito), who arouses and assuages him as the day of assassination draws closer. Tunin is no bold gunman. He is assaulted by fear, lulled by affection for the whore. It is never certain that he will be able to make his slightly mad attempt on Mussolini...
Unfortunately, the film lacks real visual unity. It is lavishly lit by Giuseppe Rotunno (cinematographer also for Fellini and Visconti), but the camera seems to move almost haphazardly, framing the characters with less care than they are acted. Besides excellent performances by Gianinni and Polito, there is a feisty characterization of a queenly whore by Mariangela Melato...
...dropped it or anything, I'd burn it as you're supposed to." Adds her husband Bill: "We've made the flag a sacred, spiritual kind of thing." Others are deeply unhappy about the furious ostentation or the denigration they see the flag enduring. One New York hardhat, Edward Polito, looked at the flag decals plastered on his coworkers' helmets and shook his head: "They should show the flag in their heart, not on their helmets." But he marched along with them anyway...