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...Pollard, an English journalist who was working on the film, asked Pattakos why we were prohibited from taking film, explaining that the film was about what a great job the government is doing in Greece. Pattakos turned to the police chief of Ghrevena, who had been giving us a hard time about the film, and scolded him for interfering with our work. Then he signed a piece of paper stating that we could film "at liberty...

Author: By Theodore Sedgwick, | Title: Interview with a Colonel The Number Two Man Behind the Greek Coup | 12/11/1970 | See Source »

...following interview with Stylianos Pattakos was conducted by British journalist Ade Pollard and CRIMSON reporter Theodore Sedgwick in Samarina, Greece last August 20. Pattakos spoke through an interpreter except where noted...

Author: NO WRITER ATTRIBUTED | Title: Interview With Pattakos | 12/11/1970 | See Source »

Fauss (Michael Pollard), a goofy mechanical genius, is the otherwise backward son of a suffocatin' maw and a sufferin' paw. Halsy (Robert Redford) is a full-time motorcycle rider, ego-tripper and ladysmith. But the steatopygous girls who follow him are, as he admits, "gland cases" and "hurting whores." Between race-track rack-ups and sexual hang-ups, the film is crowded with subject-but barren of object. It is impossible to hide what never existed; nonetheless Director Sidney Furie seems to be attempting an existential comedy. Local color is dabbed in by the numbers. Maw (Lucille Benson...

Author: /time Magazine | Title: Cinema: Color by the Number | 11/2/1970 | See Source »

None of Halsy's pretensions is quite as labored as the 97-minute one that Furie has concocted. Pollard, an amalgam of chagrin and Silly Putty, is C.W. Mossier than ever. Redford is one of the few actors who can look gaudy wearing nothing but blue jeans. But both characters have infantile psyches; they seem as incapable of sorrow as of happiness. The aimless script is even more anesthetized. Its lame jokes are articulated by stunted heroes and vapid chicks: the halt leading the bland. Though its budget appears generous, the film's editing is cut-rate; scenes...

Author: /time Magazine | Title: Cinema: Color by the Number | 11/2/1970 | See Source »

...Pollard drives a car called The Art Pollard Car Wash Special. His sponsor hopes that Pollard will win, and everyone will flock to the car washes bearing his name. He qualified on the outside of the second row, but his carburation test speeds weren't outstanding. He doesn't look any better than a third or fourth place finish if the car goes the distance...

Author: NO WRITER ATTRIBUTED | Title: A Racer's Weekend: ???ndianapolis 1970 | 5/29/1970 | See Source »

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