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...YORK: From Slums to Suburbs Black poverty is most evident in the crumbling cores of Northern and Western cities. Walter Pollard, 64, came up from Winston-Salem, N.C., to Harlem in search of a "good job." Today he lives just over the poverty line?$150 a month as a janitor keeps him a scant penny above the $1,710 poverty line for a single man in an urban area. Short (5 ft. 6 in.) and lean in his baggy denim trousers, woolen work jacket and purple longshoreman's cap, he used to support a wife and five children...

Author: /time Magazine | Title: Nation: A NATION WITHIN A NATION | 5/17/1968 | See Source »

...Pollard's plight is common enough from Harlem to Newark. But to find poverty in Greenport, L.I., is something else again. As Poet William Cullen Bryant wrote in the 1870s of the tidy, tree-shaded town with its white clapboard houses: "Nowhere is decay or unwholesome poverty apparent." It is not apparent today, but there all the same are migrant labor camps, like the Cutchogue settlement for potato workers, whose four grey-painted World War I barracks house itinerant teams of Florida, Arkansas, Virginia or New Jersey farm hands. Isaiah, 35, the crew chief, is a diminutive Negro from Florida...

Author: /time Magazine | Title: Nation: A NATION WITHIN A NATION | 5/17/1968 | See Source »

Movie buffs flip when they pass him on Manhattan streets, squealing "That face! It's C.W.! Hey there, C. W. Moss!" In fact, so many people remember Michael J. Pollard's wild hair and potato face in Bonnie and Clyde that the 28-year-old actor has become the center of a pop cult. One bunch is running him for President, and a clothing manufacturer wants to put his pixyish grimace on dresses. "Can you imagine wearing my face out in public?" giggles Pollard. "Making money off my face?" He's already swamped with new scripts...

Author: /time Magazine | Title: People: Apr. 12, 1968 | 4/12/1968 | See Source »

...Much Sun. Then there was a stream-of-consciousness interview with Actor Michael Pollard, who made it plain that he is no different off-camera from the engagingly befuddled garage attendant he plays in Bonnie and Clyde. He left Los Angeles, he said, because "I just didn't like the sun shining all the time." As for his looks, "Man when I got into show business you know everybody started saying, 'You've got a beautiful face. Beautiful face.' So uh then hey I looked in the mirror and I said, 'Hey yeah. They...

Author: /time Magazine | Title: Magazines: Grownups in Hippieland | 1/5/1968 | See Source »

...Protestant ministry, he taught himself to draw the dour peasants and bleak countryside almost as a form of spiritual communication. "I see in the whole of nature, for instance in the trees, expression, and so to speak, soul," he said of an early sketch. "A row of pollard willows sometimes has something of a procession of orphaned men about...

Author: /time Magazine | Title: Art: Electricity in Water | 11/10/1967 | See Source »

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