Word: pollatsek
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Dates: during 1950-1959
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...redeem themselves in the truly funny final scene. Here Edith Iselin, as Portia, and Paul Schmidt, as Bassanio, lose their initial remoteness and become recognizable as lovers. Jean Loud, in the part of Nerissa, is charming throughout, gaining stature as the play progresses. As Launcelot Gobbo, a clown, Michael Pollatsek injects some humor into the early scenes by cleverly contrived pomposity and overacting. Ernest Eugene Pell, on the other hand, gives a somewhat too unobtrusive, if competent, performance as Antonio, the Merchant. Yet the only serious defect in the acting of these and the other members of the large cast...
...Step-mother, Miss Adams, has a little trouble overcoming an inadvertent smirk at the beginning, but she soon masters her urbanity and by the end is consummately cruel. When the Prince, Keith Gardiner, is singing, he is fine, but otherwise he is awkward, as is the King, Michael Pollatsek. Pollatsek, however, is supposed to be funny. One only wonders why he adopted the manner of a melodrama villain. The Fairy Godmother's Oriental shuffle is likewise a puzzlement...
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