Word: pollock
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Dates: during 1980-1989
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...myriad dots that form atmospheric drifts of color in a recent Papunya school painting like Five Dreamings, 1984, by Michael Nelson Jakamarra and his wife Marjorie Napaljarri, may fill the space with an "all-overness" as complete as any painting by Jackson Pollock. But they are specific symbols for terrain, vegetation, movement, sites and animals, of which the most obvious is a big reddish snake. Concentric circles mark campsites or rock holes, straight lines the routes between them, wavy ones rain or watercourses, and so on. Even the toa carvings collected from tribesmen around Lake Eyre in the early 1900s...
...head off further furor or perhaps even cash in on it, Universal decided last week to move the opening up from Sept. 23 to Aug. 12. Says Tom Pollock, chairman of MCA's motion picture group: "The best thing that can be done for The Last Temptation of Christ at this time is to make it available to the American people and allow them to draw their own conclusions, based on fact not fallacy." But Tim Penland, a born-again marketing expert once hired by Universal to placate conservative critics and now a critic himself, believes the six-week jump...
...providing flying lessons at 16, is up. Circling a mile high around the mountains, Anderson suddenly dives to 200 feet to avoid "enemy" radar and screams at 600 m.p.h. toward the intended victim, an Army surplus M-47 tank having a bad day. The desert is a Jackson Pollock abstract, and Anderson is so low that when he is just four miles away, he can't see the tank. He searches for a clump of bushes named in briefings as a pretarget landmark. Reaching it, he tugs slightly on the F-16's stick. The jet rockets...
...machines rather than the ephemeral and koan-like events (talking to a dead hare, sweeping a pavement) that were Beuys' specialty. Kiefer wants to involve his audience completely in the drama of the painting's construction; in this respect, he has learned a lot from the example of Jackson Pollock. As when deciphering the web of drips and mottlings in one of Pollock's "all-over" abstractions, the eye crawls its way across a Kiefer, mesmerized by detail: every square centimeter of those giant canvases is intended, somehow, to speak. What they were saying, particularly in the '70s and early...
...just opened. He is one of the very few American artists to get this double crown in their lifetime, thanks to the enthusiasm with which William Rubin, MOMA's director of painting and sculpture, views his work. It is hardly an exaggeration that MOMA treats Stella as Jackson Pollock's true dauphin in the lineage of American abstract painting...