Search Details

Word: pollock (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...could certainly argue, on the evidence of this show, that Kline possessed neither the innovative powers of Jackson Pollock, nor the ramping, risky intensity of Willem de Kooning, nor the reflective pictorial intelligence that distinguishes the best work of Mark Rothko or Robert Motherwell. But he was still, when on form, a first-rate painter, well worth scholarly attention. So why have we seen so little of him? Because, it seems, the common curatorial view is that Kline was a backup man, not an innovator. This has chilled the interest of museums, if not the market. So, until a fuller...

Author: /time Magazine | Title: Art: Energy in Black and White | 2/10/1986 | See Source »

...Austrian Emperor, is mainly remembered for a decade's worth of paintings: the stark abstractions, composed of thick bars, props and vectors of black on a white ground, that he made in New York after 1950. Their iconic monochrome stamped itself on American cultural memory as vividly as Pollock's drip, Newman's zip, Rothko's blur or the shark smile of De Kooning's women...

Author: /time Magazine | Title: Art: Energy in Black and White | 2/10/1986 | See Source »

...Jackson Pollock: 44 Works on Paper, 1939 through 1940, Nielsen Gallery, 179 Newbury St., through...

Author: NO WRITER ATTRIBUTED | Title: December 12-18 | 12/12/1985 | See Source »

Mann also says that his rooms have been centered on a theme. Two years ago he achieved notoriety when he and his roommates decorated with a Garden Party theme, complete with astroturf. "We're working on something new now--a Jackson Pollock motif," he says. In addition to six Pollock-like paint dribble canvases, Mann says that his Claverly suite will soon contain an imitation Pollock...

Author: By Jeffrey P. Meier and Adam Schwartz, S | Title: Livingroom Battle of the Sexes | 12/6/1985 | See Source »

Fashion, however, is what the audience has on its mind, along with myths of past glory. The new mass public for art has been raised on distorted legends of heroic modernism: the myth of the artist as demiurge, from Vincent van Gogh to Jackson Pollock. Its expectations have been buoyed by 20 years of self- fulfilling gush about art investment. It would like live heroes as well. But it wants them to be like heroes on TV, fetishized, plentiful and acquiescent. If Pollock was John Wayne, the likes of Haring 'n' Basquiat resemble those two what's-their-names...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | Next