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Word: pollock (lookup in dictionary) (lookup stats)
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Later, in another room, Miss Bas Cohain began her presentation by reading a poem by Cummings. She then showed slides of paintings by Klee, Modigliani, Pollock, and various other modern artists, introducing them by saying simply that she liked them. The women in the audience sat silently in the dark, some smiling, some bewildered but receptive. Miss Bas-Cohain had said that she preferred not to explain what she was doing. She wanted to let the slides and the exhibit speak for themselves...

Author: By Spencie Love, | Title: Women Try to Combine Marriage with Career At Radcliffe Institute | 5/13/1969 | See Source »

...trip. Although committee staffs habitually do spadework prior to such tours, the Kennedy staff went further into detail than most and was blunter than it might have been in laying down conclusions and stage directions before the trip even began. Senator Ted Stevens and Representative Howard W. Pollock, Alaska Republicans, stuck with the tour and somewhat blunted the G.O.P. charges against Kennedy. Asked about alleged G.O.P. Policy Committee pressure on him to quit also, Stevens said angrily: "This fact-finding investigation is good for my state. I'm not going to criticize any aspect...

Author: /time Magazine | Title: Politics: Ted's Troubles in the Tundra | 4/18/1969 | See Source »

...painterly tradition derives from Pollock, De Kooning and Kline, and Frankenthaler can be called an heiress of it. She might also claim to be something of a pioneer. In 1952, when she was only 23, she developed her "stain technique" as an extension of Jackson Pollock's method of skeining swirls of glossy Duco enamel onto a canvas spread upon the floor. Helen thinned her paint with turpentine and poured it onto the unprimed canvas, so that the paint sank in. The marks of the pouring or brush disappeared, canvas and color became one and the same. The result...

Author: /time Magazine | Title: Art: Heiress to a New Tradition | 3/28/1969 | See Source »

Three Was Wow. During the next five years, the pair underwent what she recalls as "a painting bath." Says she: "There wasn't a show we missed, whether of Pollock or Fantin-Latour. We checked catalogues. One check meant we liked it. Two checks was pretty good. Three was wow! This seems the opposite of that lofty beautiful experience that art is supposed to be. Every painting is supposed to be a valid expression and interesting. But the truth is some work and some don't. That happens with all painters in every...

Author: /time Magazine | Title: Art: Heiress to a New Tradition | 3/28/1969 | See Source »

...better with darker colors at the top. A sedate, woodsy green thus sets a lid on the upward rushing blue genie. Helen Frankenthaler is not interested in emotions for their own sake. Despite the modernity of her style, she is an heiress to a tradition that reaches back beyond Pollock; she uses themes as a kind of reality on which to base an esthetic experience. Her ambition-and she succeeds in it with a memorable frequency-is to marry inner joy and outer discipline in a work...

Author: /time Magazine | Title: Art: Heiress to a New Tradition | 3/28/1969 | See Source »

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