Word: pollock
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...nearly everybody knows Helen Frankenthaler as a charmer, a hostess and a presence. Back in the early 1950s, she was the brash, aggressive young girl friend of Clement Greenberg, the eloquent critic and self-appointed evangelist who has done the most to recognize and extol the genius of Jackson Pollock. For the past eleven years, she has been the wife of Robert Motherwell, and in a sense, Helen always seemed in the artistic shadow of her husband and other "first-generation" Abstract Expressionists. Thus it came as something of a discovery to learn that Helen can really paint. "For myself...
...fact, it resembles little except perhaps a crackling bonfire, where visions of possible nymphs and improbable satyrs gyre in the obscuring smoke. But it delves profoundly into method, its seething forms eluding both definition and restriction. Exhibited at the Venice Biennale later in 1950, along with works by Jackson Pollock and Arshile Gorky, it helped to establish Abstract Expressionism as the major art of its time. And it may have marked the occasion when Manhattan displaced Paris as the art capital of the world...
...wrote Ralph Waldo Emerson in 1841. And so believes American Composer Earle Brown, 42, whose music bears an unmistakable relationship to the plastic arts. Brown's work owes a debt to the mobile sculpture of Alexander Calder and the abstract expressionist painting of Jackson Pollock. His scores are graphic in their detail and precision, but he believes in a certain improvisation or mobility within a performance itself. Therein lies the influence of Calder, whose mobiles are made of 15 to 20 parts moving freely in space and changing their relationships with one another from minute to minute. Pollock...
This does not mean that Brown's works are meant to represent specific works of Calder or Pollock. "I am not trying to make the listener hear a mobile or visualize a Pollock painting," Brown explains. "I was inspired by the manner, the process of their way of working...
...inner meat of this play is lost in the performance. Once again, the actors (Pollock and Ward Abronski) are convincing on the surface. They look and, with a few lapses, talk like hoods. But when they are not perpetrating evil, when they are just talking among themselves like two life-sentence criminals waiting it out in jail, the play becomes dull...