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...board. The board itself is a vertically-oriented rectangle (roughtly three feet by four feet) of plain unfinished wood with a slightly raised strip frame around the edges and a light, blond-colored grain. Ironically enough, Dorian Gray shares a gallery with the Fogg’s prize Jackson Pollock painting, No. 2, dating from 1950. Ironically, because Kline’s work seems in some ways a grotesque caricature of Pollock’s explosively gestrual drips. A recent thrust of Pollock scholarship has been to emphasize the visceral, almost disgusting materiality of his paintings: the thick, wrinkly surface...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Tale of Two Paintings | 12/17/2004 | See Source »

...base materialism is indeed Pollock’s most important legacy to younger artists, then in Kline’s case we can certainly say that the pupil has surpassed the master. Looking at a Pollock, you might be vaugely disturbed by it’s aggressive materiality, but looking at Kline, I have to say I was positively repulsed. There is something uncannily biological about the pattern of deep crevices and protruding nubs of encaustic that build up its mounded surface. It reminds me of a giant fungus-—if I reached out and touched...

Author: By Julian M. Rose, CONTRIBUTING WRITER | Title: A Tale of Two Paintings | 12/17/2004 | See Source »

Willen De Kooning or Jackson Pollock--in postwar American art, those were the heavyweight contenders. Pollock's drip paintings took art to a place beyond the brushstroke. The prestidigitations of de Kooning's brush summoned it back again. Even the powerful critic Clement Greenberg, who would turn against de Kooning for his failure to renounce figure painting, had to admit the guy's appeal. "De Kooning really took a whole generation with him," Greenberg once wrote. "Like the flute player of the fairy tale...

Author: /time Magazine | Title: Books: The Gorgeous Wreck | 11/22/2004 | See Source »

...Kooning's moment of art-world pre-eminence was brief, from the death of Pollock in 1956 to the early 1960s, when the imperturbable cool of Pop began to make the surplus drama of Abstract Expressionism look dated and overwrought. To refocus his ambitions, he moved to the Hamptons, on the east end of Long Island. But isolation intensified his drinking problem. Whole months could be spent guzzling Johnny Walker Red. The worst bouts sent him to the hospital for weeks at a time. Much of his work from the '60s was inebriated--slack or shrill...

Author: /time Magazine | Title: Books: The Gorgeous Wreck | 11/22/2004 | See Source »

Bloom and Dubble also performed a piece that was inspired, in part, by the art of Jackson Pollock. While Bloom had composed this piece, she explained that she still improvised at certain moments...

Author: By Emily G.W. Chau, CRIMSON STAFF WRITER | Title: Duo Dance to an Improvised Tune | 11/19/2004 | See Source »

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