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...deal with Abstract Expressionism. Everyone in the late '50s and early '60s did; that came with the fact of being an American artist. But his solution was cunning: he created an irritably stylish version of Ab-Ex gesture, in which the all-over squiggles of Pollock got absorbed into the loopier, body-based rhythms of '40s De Kooning. In effect, he turned Pollock's rococo lacework into its cruder cousin, graffiti. Did this imply a degree of loss? Certainly; but loss (and a barely suppressed anger at it) is one of the chief themes of Twombly's art. Its model...

Author: /time Magazine | Title: ART: The Grafitti of Loss | 10/17/1994 | See Source »

...star picture at Christie's, a 1949 Jackson Pollock carrying a house estimate of $2 million to $3 million, scraped through at $1.7 million. And the star picture at Sotheby's the next night, an early Jasper Johns, was expected to bring $8 million but failed to sell at all. The contrast between this and the remembered glories of the $17 million Johns was so poignant that many bidders simply sat moping on their paddles for the rest of the night...

Author: /time Magazine | Title: ART: Auctions in the Pits | 5/16/1994 | See Source »

When "the most comprehensive single-artist museum in the United States," as it describes itself, opens in Pittsburgh, Pennsylvania, on May 16, to whom will it be devoted? Mark Rothko? Jackson Pollock? No -- Andy Warhol. Housed in an industrial building that cost $12.3 million to renovate, the Andy Warhol Museum will display 500 Warhols on six floors and hold 2,500 more in its permanent collection. A theater will show Warhol films, and copies of Interview will be available in an archive...

Author: /time Magazine | Title: ART: Furthermore: May 2, 1994 | 5/2/1994 | See Source »

...show displays Frankenthaler's technique akin to "color field" painting, inspired by Jackson Pollock's "drip paintings." This method uses an unprimed canvas so the pigment seeps into the picture and creates a stain instead of sitting on top of the surface. Through this technique, Frankenthaler has explored the way colors relate both to the surface and to each other, an issue which has interested her throughout her entire career...

Author: By Tara B. Reddy, | Title: Frankenthaler's Impressive Prints | 2/10/1994 | See Source »

...soft sculptures involving found objects -- soiled, discarded stuffed toys, from teddy bears and bunnies to green plush snakes, which he sews together into teeming clumps or exhibits, in solitary pathos, on mats on the floor. You can cite a host of precedents for this, from Claes Oldenburg to Jackson Pollock, but the effect really depends on the nakedness with which Kelley presents the toys as elements in a free-form psychodrama about threat and vulnerability; they're like the dolls that witch- hunting lawyers use to elicit the evidence of children in abuse prosecutions. The most successful thing...

Author: /time Magazine | Title: Dolls and Discontents | 12/6/1993 | See Source »

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