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...reduced to an artistic pygmy by the time Robert Hughes has finished [Feb. 3]. It is sad that of all Benton's outstanding works, Hughes deems it fit to mention only The Jealous Lover of Lone Green Valley because it contains a portrait of ex-Pupil Jackson Pollock. Apparently Mr. Hughes is still smarting from the sting of Benton's caustic rejection of much of so-called modern art. Is he also among those seeking revenge...

Author: /time Magazine | Title: Forum, Feb. 17, 1975 | 2/17/1975 | See Source »

...historian would have deemed worthy of note about even the best of Benton's work, like The Jealous Lover of Lone Green Valley (1934), would have been that the lank boy in the foreground, playing a mouth organ, was a portrait of Benton's ex-pupil Jackson Pollock...

Author: /time Magazine | Title: Art: Grass-Roots Giant | 2/3/1975 | See Source »

...money at his disposal. The tone has been one of impetuous enthusiasms and voracity, rather than the historically balanced connoisseurship a great museum needs. Thus Hirshhorn's enthusiasm for De Kooning has resulted in a superb group of early De Koonings, whereas some other key abstract expressionists, notably Pollock, are represented by weak or indifferent works. So although the works on view are obviously picked with care, they contain many longueurs-especially poor European painting of the '50s and '60s, for which Hirshhorn seems to have had a predilection...

Author: /time Magazine | Title: Art: The Avid Eclectic | 9/30/1974 | See Source »

...Mafia mind. Amid the treacle of Your Hit Parade, a few vinegary notes could be heard from the vulgarian disc jockeys, Alan Freed and Dick Clark. They were the early life signs of rock, a message that the Broadway melody was finished. In the art galleries, Jackson Pollock outraged onlookers with his whorls and spillages. On stage Elvis gyrated, and on screen Brando steamed. In the audience, the kids began to coalesce; an epoch was quietly coming to a close...

Author: /time Magazine | Title: The Law: Back to the Unfabulous '50s | 8/5/1974 | See Source »

...different matter: despite many trivial or self-parodying works, Miró is the last of the great stylists of early modern art, the most poetic and formally gifted of all the surrealists. His imagination, filled with juicy ironies and wry eroticism, has enriched generations of younger artists, including Pollock and Calder...

Author: /time Magazine | Title: Joan Mir | 7/1/1974 | See Source »

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