Search Details

Word: pollocks (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

Said N.Y.U. Dean Thomas C. Pollock: "We will be interested in this 'Journey for Margaret,' and we will be interested to learn whether in years to come she will enjoy equal freedom at the University of Warsaw as a teacher there...

Author: /time Magazine | Title: Education: Journey for Margaret | 2/19/1951 | See Source »

...anyone who had seen Army's assortment of spectacular ball-carriers perform in Cambridge, it was incredible that men like Pollock, Stephenson, Pollard, Fischl, and Cain should be rendered ineffective by Navy's stout defensive line. To the Army backs, it must have been more than some what embarrassing to be stopped by a line which had yielded generous amounts of yardage to inferior offenses all season. And to the younger Blaik, Armys' quarterback, it must have been a frustrating afternoon--he was like the driver of a high powered motor car which repeatedly stalls...

Author: By Peter B. Taub, | Title: Navy Won on Spirit and Excellent Defense | 12/5/1950 | See Source »

...Jackson Pollock's abstractions (TIME, Dec. i, 1947 et seq.) stump experts as well as laymen. Laymen wonder what to look for in the labyrinths which Pollock achieves by dripping paint onto canvases laid flat on the floor; experts wonder what on earth to say about the artist. One advance-guard U.S. critic has gone so far as to call him the "most powerful painter in America." Another, more cautious, reported that Pollock "has carried the irrational quality of picture-making to one extremity" (meaning, presumably, his foot). The Museum of Modern Art's earnest Alfred Barf...

Author: /time Magazine | Title: Art: Chaos, Damn It! | 11/20/1950 | See Source »

...Pollock followed his canvases to Italy, exhibited them in private galleries in Venice and Milan. Italian critics tended to shrug off his shows. Only one, brash young (23) Critic Bruno Alfieri of Venice, took the bull by the horns...

Author: /time Magazine | Title: Art: Chaos, Damn It! | 11/20/1950 | See Source »

...easy," Alfieri confidently began, "to describe a [Pollock]. Think of a canvas surface on which the following ingredients have been poured: the contents of several tubes of paint of the best quality; sand, glass, various powders, pastels, gouache, charcoal ... It is important to state immediately that these 'colors' have not been distributed according to a logical plan (whether naturalistic, abstract or otherwise). This is essential. Jackson Pollock's paintings represent absolutely nothing: no facts, no ideas, no geometrical forms. Do not, therefore, be deceived by such suggestive titles as 'Eyes in Heat' or 'Circumcision...

Author: /time Magazine | Title: Art: Chaos, Damn It! | 11/20/1950 | See Source »

Previous | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | Next