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Word: pollocks (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...fact, it resembles little except perhaps a crackling bonfire, where visions of possible nymphs and improbable satyrs gyre in the obscuring smoke. But it delves profoundly into method, its seething forms eluding both definition and restriction. Exhibited at the Venice Biennale later in 1950, along with works by Jackson Pollock and Arshile Gorky, it helped to establish Abstract Expressionism as the major art of its time. And it may have marked the occasion when Manhattan displaced Paris as the art capital of the world...

Author: /time Magazine | Title: Art: DE KOONING'S MASTERWORK | 3/7/1969 | See Source »

...wrote Ralph Waldo Emerson in 1841. And so believes American Composer Earle Brown, 42, whose music bears an unmistakable relationship to the plastic arts. Brown's work owes a debt to the mobile sculpture of Alexander Calder and the abstract expressionist painting of Jackson Pollock. His scores are graphic in their detail and precision, but he believes in a certain improvisation or mobility within a performance itself. Therein lies the influence of Calder, whose mobiles are made of 15 to 20 parts moving freely in space and changing their relationships with one another from minute to minute. Pollock...

Author: /time Magazine | Title: Composers: Sculpture in Sound | 1/24/1969 | See Source »

This does not mean that Brown's works are meant to represent specific works of Calder or Pollock. "I am not trying to make the listener hear a mobile or visualize a Pollock painting," Brown explains. "I was inspired by the manner, the process of their way of working...

Author: /time Magazine | Title: Composers: Sculpture in Sound | 1/24/1969 | See Source »

...piece; here is a kid who wants to be sensitive, wants to be a poet, wants to be in love. True, he is awkward and amusing (He writes poetry he does not understand, paraphrased from Zen poets), but he is also a human being. As performed by David Pollock, though, he is a silly comic prop--a cardboard version of Art Carney's Ed Norton characterization...

Author: By Frank Rich, | Title: Indian and Sugar Plum | 12/7/1968 | See Source »

...inner meat of this play is lost in the performance. Once again, the actors (Pollock and Ward Abronski) are convincing on the surface. They look and, with a few lapses, talk like hoods. But when they are not perpetrating evil, when they are just talking among themselves like two life-sentence criminals waiting it out in jail, the play becomes dull...

Author: By Frank Rich, | Title: Indian and Sugar Plum | 12/7/1968 | See Source »

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