Word: pollocks
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Dates: during 1960-1969
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...display 103 paintings and sculptures by 55 artists that Janis and his late wife Harriet had winnowed from a lifetime of art purchases. Valued at upwards of $2,000,000, they range from Italian Futurist Umberto Boccioni's 1913 Dynamism of a Soccer Player, through Arp, Klee, Pollock, De Kooning, and wind up with portraits of Janis by Segal and Marisol. The onetime maker of M'Lord Shirts bought his first Matisse in 1926, went on to become one of Manhattan's most successful art dealers. Still sprightly at 71, he has given his collection...
...postwar years, a small number of good painters continued to paint realistically. In most cases, their canvases reflected the prevailing mode. When abstract expressionism was in its heyday, such figurative painters as the late David Park and Richard Diebenkorn employed the smeary technique and turbulent palette commonly associated with Pollock and De Kooning. In the current era of cool, disengaged pop and hard-edge abstraction, a hardy band of realists has developed a cool, precise, in fact almost surgical style...
Agents are: Beth L. Pollock of East House and Chicago; Anita E. Herman of North House and Cambridge; and Marcia B. Kline of South House and Annandaleon-Hudson...
Stella's work attracted attention almost immediately because it took abstraction one measurable step farther along the path toward pure form. The generation of Pollock and Kline had eliminated the figure; their canvases derived impact and emotion from the visible signs of struggle left by the painter's drips, splashes and violent brush marks. The "color field" painters of the 1950s, led by the late Morris Louis, eliminated the mark of the painter's hand, but their veils of color floating within the rectangle of a canvas aimed at evoking a haunting, lyric sense of other-worldly...
Nearly 80 years after his death, Vincent Van Gogh still remains a startlingly modern artist. Psychologists continue to delight in analyzing the psychoses betrayed by his tormented whorls. Lovers of abstract expressionism find in his sulfurous palette a close relationship with Pollock and De Kooning. Yet, as is made clear by a lively display of 90 Van Gogh watercolors and drawings (see color opposite) that go on view this month at Philadelphia's Museum of Art, Van Gogh was in more than one major respect a 19th century man. While today's painters see their paintings as objects...