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Leader of the calligraphists (a style that includes U.S. Painter Mark Tobey's famed "white writing" and the late Jackson Pollock's lassolike drip whirls) is German-born, French-naturalized Hans Hartung. Now considered a Frenchman by the French, who last November bought out his first one-man show in nine years at prices ranging from $4,000 to $6,000, and a German by the Germans, who are honoring his works with a ten-month-long museum tour, Hartung, at 52, is being hailed by critics as "one of the prophets of modern art" (in Paris...

Author: /time Magazine | Title: Art: LINES OF FORCE | 4/1/1957 | See Source »

...central image seemed as hard to Ferren as "breaking through the sound barrier." In fact, some such move has long been in the offing. Abstractionist Willem de Kooning first tried it with his grotesque woman images (TIME, April 4, 1953), only to relapse into abstraction. Drip Originator Jackson Pollock was himself struggling with half-glimpsed totem images before his death in an auto crash last August. Younger painters are now pulling and punching areas of pigment on their canvases to achieve a new-found "landscape look" that has been dubbed abstract impressionism...

Author: /time Magazine | Title: Art: The Bottle & I | 3/4/1957 | See Source »

...Dallas, to organize charity and conduct high Holy Day services. Four years later they had become the Jewish Congregation Emanuel, comprising 32 families. Today there are 1,500 families in Emanuel, the dominant Jewish congregation in Dallas. Its leaders include Banker Fred Florence (Republic National Bank), Papermaker Lawrence Pollock (Pollock Paper Corp.), Merchant Prince Stanley Marcus (Neiman-Marcus), all of whom take Texas-size pride in being civic leaders and Dallas boosters. On Friday the temple was dedicated to the congregation itself, on Saturday to Judaism as a whole, on Sunday to the entire city of Dallas. "That...

Author: /time Magazine | Title: Religion: Temple in Texas | 2/11/1957 | See Source »

...Manhattanites who turned out at the opening of a brand-new gallery last week, the big show was not the paintings (a 100-year retrospective from Manet and Monet to Picasso and Pollock), but the gallery itself-a gleaming interior of sculptured white plaster, marble and aluminum in which walls seemed to flow, stairs to float. Ceilings billowed to house controlled artificial light, and even the floor, covered with a luxurious wool carpeting, at one point suddenly lapped over on itself to become a bench...

Author: /time Magazine | Title: Arts: Flowing Gallery | 2/4/1957 | See Source »

...painters are bad or mediocre, of course . . . but the good ones do find shelter in numbers, are bought, employed, looked at, like the rest. Our society, it turns out, can use modern art. The president of a paint factory goes home . . . and stares relishingly at two paintings by Jackson Pollock . . . He feels at home with them; in fact he feels as if he were back at the paint factory...

Author: /time Magazine | Title: Art: Gold-Plated Age | 12/31/1956 | See Source »

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