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...recent article in Artforum magazine, critic Ronny H. Cohen describes a contemporary trend in art that is similarly aggressive, one that may have evolved from Dada by way of Pollock and the Abstract Expressionists of the 1950s. Cohen dubs the work of the artists "Energism" and states that Energist works have the ability to "flash out pictorial/emotive expression with such force that the impact freezes us." What the works fear most "is the possibility of coming across as boring." Significant in Cohen's analysis is that Energism (like Dada) is defined not by a set of formal criteria...

Author: By Lois E. Nesbitt, | Title: Dadadadadadadadadadadadadada | 12/8/1980 | See Source »

...screams, animal noises that seem to emanate from hell's zoo. The camera muscles into the action, peering from above, from below, from the combatant's point of view, panning 360° as a doomed fighter spins toward the canvas. Smoke, sweat, flesh and blood become Jackson Pollock abstractions as they pound home the essential blood lust of those sweet sciences, prizefighting and moviemaking...

Author: /time Magazine | Title: Cinema: Animal House | 11/24/1980 | See Source »

DIED. Philip Guston, 66, influential U.S. painter; of a heart attack; in Woodstock, N. Y. The Canadian-born son of Russian immigrants, Guston joined Jackson Pollock, a schoolmate of his in Los Angeles, and other contemporaries like Willem de Kooning, Robert Motherwell and Mark Rothko in forging the abstract expressionist movement in the late 1940s and early 1950s. In the past decade he returned from his often dreamlike works to representational painting. His explanation: "I got sick and tired of all the purity. I wanted to tell stories...

Author: /time Magazine | Title: Milestones, Jun. 23, 1980 | 6/23/1980 | See Source »

Years later, Arshile Gorky and Jackson Pollock were to seize on this evocative space, with its foreground frieze of totemic shapes, and develop their art upon it. Looking back in 1968, William Rubin of Manhattan's Museum of Modern Art said that Miró "is the major European progenitor of abstract expressionism." Miró would never have thought of himself as a progenitor. But the idea of an undefined background space haunted him. Over the years he spread across it an increasingly personalized iconography of symbols, of figures and faces and shapes. Miró's images run back...

Author: /time Magazine | Title: Art: Voyager into Indeterminate Space | 4/28/1980 | See Source »

...long lines, however, are unprecedented, resulting from a change in the time or the sign-ups, Pollock said...

Author: NO WRITER ATTRIBUTED | Title: Recruitment | 1/23/1980 | See Source »

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