Word: pollocks
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...refines but does not quite fix an inventory of shapes that eventually find their way onto the canvas. It is a way of keeping the choices open by profuse addition. Now this process of working from drawings into paintings was not much to the fore in abstract expressionism. For Pollock to do a preliminary sketch for one of his drip paintings would have subverted their aesthetic intent, since the web of form depended on the fluid, spontaneous and unrepeatable movements of the hand. De Kooning-and to some extent Robert Motherwell -are the only surviving abstract expressionist painters in whose...
Died. Adolph Gottlieb, 70, one of the founders of the abstract expressionist school of painting along with Mark Rothko, Jackson Pollock, and Willem de Kooning; after a long illness; in New York City. Rebelling against the social realism that dominated painting in the '40s, Gottlieb created "pictographs"-checkerboard patterns of squares filled with hieroglyphic-like imagery. In the late '50s he began a series of what he called "Bursts," huge canvases with floating blobs of color that sometimes resemble suns poised over jagged horizons. Gottlieb, whose works have sold for as much as $30,000, is represented...
...create the modern investment fetishism, likes to point out that the prices paid in their day for the works of Victorian painters like Alma-Tadema (when multiplied by 30 to bring them into line with the devalued dollar of the '70s) would make the cost of a Pollock or a Jasper Johns today seem almost reasonable. It is said that the Marquess of Westminster, when asked to send a painting from his collection to the 1857 loan exhibition in Manchester, gruffly sent a framed ?100,000 bank note instead...
Western criticism has borrowed some of its words from Chinese art, but paintings like these make one realize how the terms have suffered in transit. To speak, for instance, of the "calligraphy" of a Western artist-Pollock's dripped skeins of paint, or the brisk rhythmic jotting of a Rembrandt sketch -is to use a metaphor. In classical Chinese painting, it is not. The wen-jen used the same brush for painting and writing, the same ink, the same habits of mind. The distinction between word and image, which is one of the sharpest divisions in our culture, barely...
...hand, and the audience on the other," notes Critic Brian O'Doherty, "there are large areas for misunderstanding." O'Doherty, who paints (under the name Patrick Ireland) and also teaches (at Barnard), attempts to correct any such misunderstandings about eight American artists: Edward Hopper, Stuart Davis, Jackson Pollock, Willem de Kooning, Mark Rothko, Robert Rauschenberg, Andrew Wyeth and Joseph Cornell. Despite the use of a good deal of jargon, O'Doherty is remarkably successful. His interviews and commentary, for example, throw a welcome personal light on Hopper's laconic pessimism and Davis' exuberant jazz...