Search Details

Word: pollyana (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...happened to attend a dress rehearsal of this production with all the major principals dancing the lead roles, and the difference was astonishing. Paul Thrussell’s Puck was leaps and bounds above Courtain’s, and Pollyana Ribeiro’s Helena more than made up for the deficiencies of Tara Hench’s performance. During the dress rehearsal, I never felt that the ballet was too long or slow, as I felt during the Sept. 25 performance...

Author: By Erin K. Kelly, CRIMSON STAFF WRITER | Title: Miscast ‘Midsummer’ Far from a Dreamy Night | 9/28/2001 | See Source »

...However, brilliant dancing and choreography does shine through in several instances. Most notable were the two principal couples: the Snow Queen and King (Pollyana Ribeiro and Alex Lapshin) and the Sugerplum Fairy and Cavalier (Larissa Ponomerenko and Giuseppe Picone) in their grand pas de deux. Overall the corps de ballet performed well, although the snowflakes in Act I lacked the precision of the lovely Act II flowers...

Author: By Adriana Martinez, CONTRIBUTING WRITER | Title: 34 Times and Still a Good Nut to Crack: The Nutcracker review | 12/10/1999 | See Source »

...opening cast paired Pollyana Ribeiro as Giselle and Patrick Armand as Albrecht. It was Ribeiro's first time as Giselle and while technically strong, she lacked the artistic refinement and softness that the role requires. She looked too young and cute for the frail and tender Giselle, and while she was technically adept--the balances held and the turns and jumps refined and light--it was unfulfilling...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: It's a Mad, Mad, Mad, Mad World in Boston Ballet's `Giselle' | 10/9/1998 | See Source »

...children. Instead, we end with collapse of Romeo and Juliet, in a passionate embrace, in front of the tomb--an image that's striking in its very simplicity, and that comes closest to capturing the full power of Shakespeare's play.Boston BalletArtistry and technical finesse make PATRICK ARMAND and POLLYANA RIBEIRO an ideal Romeo and Juliet...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: Wherefore Art My Choreographer? | 10/24/1997 | See Source »

Despite the defects of choreography and orchestra, the lead dancers manage to partly salvage the ballet. As the starcrossed lovers, Patrick Armand and Pollyana Ribeiro are, in a word, stunning. Their remarkable artistry and faultless technique make the most out of their roles, though ultimately neither can overcome the flawed choreography. Ribeiro, usually "all technique," here proves that she, too, can turn simple steps into flowing movements as she lets her character's emotions make her image softer and more beautiful. In her interactions with the Nurse, and in the crucial solo in which she wavers over whether...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: Wherefore Art My Choreographer? | 10/24/1997 | See Source »

| 1 | 2 | 3 | Next