Word: poloniuses
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John Simon '46, Polonius; Edward Franklin '47, Laertes; Miss June Philbin, Radcliffe '46, Ophelia; Miss Anna Prince, Radcliffe '47, Gertrude; Charles Van Doren '46, Rosencrantz; Alexander Stewart '46 Gildenstern; Edward Benedict '46, Horatio; Michael Kahn '46, Osrich, and William Murray '47, Voltimand. The cast will double-up on minor roles. The performance will be open to the public, and is expected to run almost three hours...
...Hamlet wears trousers instead of tights, delivers "To be, or not to be," in a dinner jacket with silver-brocade lapels. No help at all were the unpoetic sergeants who inevitably shattered the high-tragic mood of the soldier cast's rehearsals, with such prose passages as "Hey, Polonius, you and those other guys get some brooms and clean up the theayter...
...Shakespeare open season for 1939-40 started last week* when Maurice Evans reopened on Broadway in his last season's hit, an uncut Hamlet. It proved once again a much more tumultuous and exciting play than the usual cut version. Interesting minor change: This season Polonius wears spectacles, a detail which caused a great to-do among anachronism-chasers until they ascertained that glasses were worn in Shakespeare's day. Nobody seemed to care whether they were wtirn in Hamlet...
...hearing Baccalaureate sermons, class orations, and alumni admonitions, the seniors are apt to feel as Laertes must have when Polonius delayed his leaving with a string of paternal advice. They do not care to listen; they want to leave-after the celebrating is over...
...minor characters and the direction only the highest praise can be given. Particularly in Polonius (George Graham), whose part has benefitted greatly from the producer's unwillingness to apply the blue pencil, has the subtlety of Shakespeare's characterization been caught. When giving his instructions (I-III) to Laertes (Wesley Addy)--who is excellent in his humorous indifference to his father's preaching, but none the less convincing in his pursuit of revenge--Polonius is at once sage and verbose. To Ophelia (Katherine Locke),--who is appropriately fragile, and who contributes a mad scene (IV-V) as effective...