Word: polygram
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...Polygram Records, the Dutch-owned music giant, wants to turn up its volume in a big way. Polygram aims to increase its 8% market share in the U.S. by acquiring respected independent firms, which are becoming a rare breed. In August the company paid $300 million to purchase Britain's Island Records, a pioneer in reggae and progressive rock. Last week Polygram said it reached an agreement to swallow an even bigger target: A&M Records, the label founded by Tijuana Brassist Herb Alpert and promoter Jerry Moss. The price, which was not disclosed, was estimated at as much...
...record-company executives are crooning the same refrain. At Polygram, vice president Richard Seidel is overseeing a new "Brazilian Wave" series that includes anthology albums for a number of major Brazilian pop stars. Celluloid, an independent U.S. label, has launched a subsidiary called Braziloid, dedicated to musica popular brasileira, a term used by Brazilians to refer to the country's diverse contemporary sounds. CBS Records is promoting Brazilian stars like Djavan and Rio de Janeiro-born vocalist Milton Nascimento as pop acts...
SWING OUT SISTER: KALEIDOSCOPE WORLD (Polygram). Sophisticated jazz-pop with a British twist. Corinne Drewery's silky vocals and Andrew Connell's buoyant keyboards create expansive, richly atmospheric arrangements...
...sale of CBS's labels leaves the U.S. recording industry dominated by overseas owners. (Polygram is controlled by the Dutch, RCA by the West Germans and Capitol by the British.) Yet in a sense, CBS Records is only passing from one revered entrepreneur, Paley, to another, Akio Morita, who is responsible for the Walkman and other breakthroughs. Morita, who favors classical music, seems determined not to mess up the good beat at CBS. His company has offered a package of some $20 million in compensation to persuade CBS Records' bearded, brassy chief, Walter Yetnikoff, 54, to stay...
...repertory are more legitimate. The LP catalog has found a place for both the most familiar Beethoven symphonies and the most obscure baroque fugues. For now, classical and pop CDs run to the best-known artists and material. Yet some major classical labels, including RCA, CBS and the giant PolyGram complex (Deutsche Grammophon, Philips and London), have begun issuing their huge catalogs of conventionally recorded...