Search Details

Word: polygram (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

ELIZABETH Starring Cate Blanchett, Geoffrey Rush Directed by Shekhar Kapur Polygram Pictures...

Author: By Jared S. White, CRIMSON STAFF WRITER | Title: Before She Was a Virgin: The New Elizabeth | 12/4/1998 | See Source »

...Wings of the Dove a lush color scheme resembling fresh paint, goes further by setting the early scenes of heaven actually in a painting. The imagery is banal--must the perfect place be out of a paint-by-numbers watercolor?--but richly presented. The art direction suggests that PolyGram spent an inordinate amount of money on the film...

Author: By Jeremy J. Ross, CRIMSON STAFF WRITER | Title: Hell is a Dour Robin Williams; Heaven Can't Stand Him Either | 10/2/1998 | See Source »

...director win against a studio? Maybe. Robert Altman's cut for The Gingerbread Man didn't get the response at test screenings that PolyGram wanted. So, although Altman threatened to take his name off the film, the studio had a new editor chop off eight minutes. But the new cut tested only a little better. The studio chose to keep the Altman version--and his name...

Author: /time Magazine | Title: People: Sep. 22, 1997 | 9/22/1997 | See Source »

...strong indie showing seemed a victory for a favorite hero of old Hollywood films: the nervy little guy. That can be misleading, since most of the "independent" companies are owned by media conglomerates: Miramax by the Walt Disney Co., Gramercy (which released Fargo) by Polygram, Fine Line (Shine) by Time Warner. October Films (Secrets & Lies) is partly financed by mighty Allen & Co., but despite rumors that it is open to a takeover bid, Bingham Ray vows to maintain autonomy. "We're at the peak of our game right now as a privately held, true independent," he says...

Author: /time Magazine | Title: CINEMA: INDEPENDENTS' DAY | 2/24/1997 | See Source »

...support an artist's need to express a vision and who are willing to maintain the integrity of that vision...is extremely important to me." But clearly money, and lots of it, is also important to her. Late last year she and her lawyers approached four record companies, Sony, PolyGram, DreamWorks SKG and Disney, asking for a $100 million deal. Unsatisfied by their offers, she returned to Virgin, for which she has previously recorded, and got her $80 million. In part this may be because Thorn EMI, Virgin's parent company, is rumored to be looking to sell its music...

Author: /time Magazine | Title: ARE THEY WORTH ALL THAT CASH? | 1/29/1996 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | Next