Word: pompeii
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Dates: during 1960-1969
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...Sweden was bad, but Sweden hasn't gone near to the depths of various sex deviations and obsessions that we have gone. I suppose there are sections of this country that have sunk as low as anything in history, because in the days of Sodom and Gomorrah and Pompeii and Rome they didn't have the presses or the motion pictures to stimulate all of this...
Sometimes Reisner lectures on graffiti in history, from Pompeii to frontier America, or examines ways in which graffiti illuminate social or political frustrations. But more often the class will repair to a nearby bistro for a firsthand look at the living art. Reisner, who systematically began scrutinizing lavatory walls four years ago and has published two paperback collections of graffiti, believes that the golden age of the graffito is here. In addition to the wit on washroom walls, there is the contemporary lapel-button fad, which he describes as "walking graffiti." The fact is, says Reisner, that "graffiti...
...kind became fashionable. From the many Hellenistic and Roman busts of marble that have survived we know how the ancients saw and depicted themselves. But the moist climates of Greece and Italy have long since sent most classical paintings (except those buried under the ashes and lava at Pompeii and Herculaneum) crumbling into dust...
Time to Flee. To see such sights today in Herculaneum, writes Joseph Deiss, an amateur archaeologist and vice-director of the American Academy in Rome, is to "walk 2,000 years into the past." The world is more familiar with what happened to neighboring Pompeii on the same day that Herculaneum died; erupting on Aug. 24, A.D. 79, Vesuvius buried Pompeii in a sudden fiery rain of stone and ash, entombing nearly one-tenth of its 20,000 citizens and inflicting terrible damage on the city. Herculaneum, however, was more fortunate. Granted time by the wind, which blew west toward...
...particolored from carefully ladled-on corrosive dyes; his wooden statuary is daubed with earthy tints, oil paints clinging to the surfaces as in flaking frescoes. Even his lush-thighed Pomonas, named for the ancient Italian goddess of fruit trees, seem like the petrified victims of the last days of Pompeii. But as currently displayed in Rome's 500-year-old Palazzo Venezia, at one time the residence of the ambassador of the proud Venetian Republic, the hefty nudes look like steaming courtesans in the Baths of Caracalla...