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BORIS GREBENSHIKOV: RADIO SILENCE (Columbia). The title is a self-fulfilling prophecy. Grebenshikov, a dubious product of glasnost, sounds like David Bowie on Bosco as he thrashes his way -- in English -- through twelve pompous rock anthems as dense as the Iron Curtain but not quite so penetrable...

Author: /time Magazine | Title: Critics' Voices: Oct. 23, 1989 | 10/23/1989 | See Source »

Downstairs, on the funny line, is Cliff's other brother-in-law Lester, a sleek TV producer (played by Alan Alda in a gloriously fashioned comic performance). He offers Cliff a sinecure: filming a documentary that will make Lester look like a philosopher-king among the pompous nitwits who produce prime-time TV. Cliff agrees, but because he tries to turn Lester's story into a truthful expose, the project collapses. Along the way he loses the woman he loves (Mia Farrow), as well as a serious film to which he had been profoundly committed...

Author: /time Magazine | Title: Cinema: Postscript to the '80s | 10/16/1989 | See Source »

...time mortar and grenade explosions and gunfire from forces loyal to Noriega. The firefight claimed the lives of ten rebels and wounded 18 loyalist troops and five civilians. By 2 that afternoon, Noriega's supporters were rounding up the last of the rebels. It was all over but the pompous pronouncements in Panama -- and the recriminations in Washington...

Author: /time Magazine | Title: The Yanquis Stayed Home | 10/16/1989 | See Source »

Allen noted that Paramount dismisses "this claim of 'culture' as being nothing more than a desire to perpetuate or entrench existing ((Time)) management disguised in a pompous, highfalutin' claim." Wrote he: "I understand the argument . . . But I am not persuaded that there may not be instances in which the law might recognize as valid a perceived threat to a 'corporate culture' that is shown to be palpable (for lack of a better word), distinctive and advantageous...

Author: /time Magazine | Title: One for The Books | 7/24/1989 | See Source »

Some younger artists question whether an obsessive concern with the raw realities of daily life may prove to be as intellectually numbing as the . pompous official art of the past. They have turned inward to explore the realm of the subconscious and myth. Others have followed a completely different path, setting art aside to take up journalism, history and politics. The diversity, even the confusion, has been welcomed after decades of conformity. "We need time to get over our feeling of shock and process all this new information," says Okudzhava. "The masterpieces will come later. Now we must editorialize, speak...

Author: /time Magazine | Title: The Arts: Freedom Waiting for Vision | 4/10/1989 | See Source »

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