Word: pompousness
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...concerns one August Schiller, who flourished in Milwaukee back in the days when gentlemen associated that town with beer, and when ladies carried muffs. The first half of the film shows him a pillar of society, plain, foursquare, sunk in a large family. A doting father of six, a pompous cashier in his bank, a champion bowler, he is admirable in all things, full of little unpricked vanities, and simply worshipful in an Olympian set of whiskers that obscure almost a half of his necktie but add immeasurably to his dignity...
...cocky Lothario finds that a glance from Nancy (Lois Moran) plumbs depths of emotion hitherto unknown and strangely captivating. Most of this goes on in Flanders Fields where he is a soldier and she an ambulance driver; where one may sigh for a battered village and smile at pompous officers...
...discover what George III meant by "coast" the Privy Council turned to the first great English dictionary, work of that inspired if pompous king of 18th Century letters, Dr. Samuel Johnson. Once George III encountered the great Doctor in the Royal Library, and very considerately shouted in his ear during a brief audience, knowing him to be deaf. The Privy Council cited the dictionary of Dr. Johnson as defining what George III meant by "coast" as follows: "The edge or margin of land next to the sea [and also], a considerable tract of land bounded by and looking towards...
...banker ordered him to accept, so that, by his one passionate theft, a man with a slave's psychology became an Honorable, eligible for the highest office in the land, certain to have as fine a funeral as that enjoyed by a great rascal to whose pompous obituaries he had once listened in dismay? What if this story were written by a calm, an almost lugubrious satirist, without any ranting; by a master of adroit prose? Might people not exclaim about such a book...
...doubtful. To the student of the theatre, to the lover of stage personalities, it is irresistable. Dramatist Pinero in Trelawny has created a young playwright-one whose theories and struggles against the theatrical traditions of the time were those of Sir Arthur himself. Young Tom Wrench abhors the long, pompous speeches; his characters speak like human beings. Scornfully, the old actors reject his manuscript: "Why, sir, there isn't a speech in it . . . nothing a man can really get his teeth into." Tom finally gets a backer for his play, none other than the superbly proper, anti-theatrical Vice...