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...this Lolita suggests very simply that Nabokov's is not a novel for the stage. In print the author can swathe the transgression he is describing in bundles of carefully selected sentences that, by explaining, defending, or indicting Humbert's obsession, make us ponder its meaning. On stage, nothing tempers the nakedness of the act; and when Albee's Lolita takes off her bathrobe to say, "Come and get it, Daddy," or buries her face in Humbert's groin, Richardson must literally draw a curtain over the scene--a comic gesture that only underscores Albee's inability to find...

Author: By Scott A. Rosenberg, | Title: A Statutory Drama | 2/14/1981 | See Source »

...mother left me waiting for her, and established in me the habit of waiting and expectation which makes any present moment most significant for what it does not contain." Fingerbone ("a meager and difficult place") and the vast Northwest surrounding it give the growing girl plenty of emptiness to ponder...

Author: /time Magazine | Title: Books: Castaways | 2/2/1981 | See Source »

...could ask coach Carole Kleinfelder, but if she knew, the cagers might be 9-3. You could also ponder the statistics, but they only offer more confusing contradictions...

Author: By Sara J. Nicholas, | Title: Every Which Way But Wins | 1/16/1981 | See Source »

...Oncle would be a trifle of a film; a sweet, melodramatic little story. But, thanks to the good doctor, Resnais doesn't have to rely on a compelling plot or intriguing characters to hold our attention. We needn't strain ourselves looking for clues to motivations, we needn't ponder the out-come of events. Laborit knows all, tells all. Resnais displays his utter confidence in Laborit's theories when he has his actors don white rat heads to walk through some of their scenes. The director's joke couldn't be more clever--or more blatant in its message...

Author: By Jacob V. Lamar, | Title: The Intelligent Rodent | 1/15/1981 | See Source »

Ingmar Bergman is nothing if not thorough when he sets about one of his psychological workups, and his title here hints at deeper conclusions than most of his characters reach on the subject that they ponder. If they are "marionettes," then it follows that they are controlled by invisible strings, by forces that the individual himself cannot perceive and that must elude even wise analysis. If this is so, then the whole effort to possess someone else, even in the radical way that Peter used, is absurd, as is the effort to understand it in conventional moral and emotional terms...

Author: /time Magazine | Title: Cinema: Deadly Dance | 11/17/1980 | See Source »

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