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Robert Altman's Thieves Like Us opens with a gentle pan from the hazy skyline of a Mississippi morning across a field of grass along the tracks where a chain gang's flatcar rolls through a thicket, and to the pond where two convicts paddle a boat ashore and escape into a car which pulls into view as the camera completes its circle. All the way around, it pans a whole expansive environment, a distance of soft green and damp air which will dominate the film, cushioning the violence of its bank robber heroes like their own lonely needs...

Author: By Phil Patton, | Title: Movies for Mood or Money? | 4/17/1974 | See Source »

...staging. He shoots the love scenes in gauzy soft focus. Everything gleams: bracelets, sunlight on glasses, leaves on trees, even eyeballs. This is at best. At worst, when Clayton photographs the lovers dancing together in a vast, empty ballroom or kissing, their images reflected in a goldfish pond, he seems to have lapsed into some middle ground between self-parody and self-flagellation...

Author: /time Magazine | Title: Cinema: The Crack-Up | 4/1/1974 | See Source »

Pittsburgh Steeler Running Back Franco Harris coolly surveyed the pond and the line of trees guarding the 557-yd., par-five hole ahead. Then he belted the ball off the tee with all the power of Jack Nicklaus-but none of the accuracy. Far, far away, the ball hit the roof of a private home. After half a dozen more errant drives, course officials set a limit of twelve strokes per hole and charitably awarded Harris a mere triple bogey for his ordeal. "This isn't my game," he muttered...

Author: /time Magazine | Title: Sport: The Rotonda Follies | 3/11/1974 | See Source »

...trouble with many good Ivy athletic teams is that they are like the proverbial big fish in a small pond. Once they are taken out of their comfortable ivied environs, they usually become small fish in a very big lake...

Author: By Dennis P. Corbett and James W. Reinig, S | Title: Swimmers Vie for Eastern Aqua-Crown | 3/7/1974 | See Source »

...LOOK NOW is a film about second sight: that means about another way of looking at things. From the first sinister zoom into the surface of a pond broken by drizzle, we are already captured by the sudden fracturing of the reflected image. In their cozy country house in England, John and Laura Baxter are working quietly when John suddenly breaks a piece of glass, cuts himself. Blood creeps like some blotted gargoyle over the face of a color slide--it shows the interior of a Venetian church he is restoring. Outside, their little girl has just drowned...

Author: By Phil Patton, | Title: Venetian Blindness | 2/4/1974 | See Source »

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