Word: ponti
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...Natasha. The gangster and his moll. The statuesque babe and the little round man. Beauty and Obese. That double image, like joke figures on a wedding cake, was the one struck by the great Italian actress Sophia Loren and her discoverer, mentor, curator and prime exhibiter, producer Carlo Ponti. They had been together since 1950 - when he was nearly 40, she just 15 - and they stayed that way through 56 years, two marriages to each other (the first annulled) and 37 movies that he sponsored and she appeared...
...plenty of obstacles: the rude public merriment at their pairing; all the misery the Vatican-cowed Italian government tried to bring to their joint political, financial and personal life; the stories of his infidelities and of the movie stars (Cary Grant, Peter Sellers) utterly smitten by her allure. Yet Ponti and Loren persevered, becoming a metaphor for the lasting attraction of opposites...
...With his eternally gorgeous wife at his Geneva bedside, Ponti died Tuesday at 94 of that loveliest of incurable maladies, extreme...
...addition is not much smaller than the museum's original building, a seven-story curiosity completed by Gio Ponti in 1971. Ponti was a significant figure in postwar Italian furniture and product design, but as an architect--he produced just a handful of buildings--he was the kind of man who could imagine that a castle keep, complete with a few stray crenellations and slit windows that any medieval archer would appreciate, was just the thing for an art museum. You can't really add to an armor-plated canister like the one he provided in Denver. So Libeskind...
...somebody dropped a Matisse into The Cabinet of Dr. Caligari. And Libeskind's plunging vectors will never be the ideal resting place for Vermeer or Monet--which might explain why the Denver museum will continue to house most of its older art in the more conventional galleries of the Ponti building. Daniel Kohl, the museum's installation designer, has taken on the job of mediating between Libeskind's building and the art, mostly by way of partitions that softly mimic Libeskind's angles in ways that bring the pictures to a soft landing...