Word: pontus
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Over the past few years its stolidly trendy Swedish director, Karl Pontus Hulten, has emitted much politic cant about how Le Pompidoglio would not be a museum in the traditional (read "elitist") sense, but rather a kind of cross between a people's palace and a pinball machine-a transcultural, interdisciplinary omnivorium. The real question was how the place might work as a museum. On seeing "Paris-New York," one wishes the question had not been asked. The show is a curatorial botch...
...quite an other to claim that they have any historical weight. There is no level on which the last part of "Paris - New York" can be taken seriously. If this is how the Pompidou Center intends to treat the history of modern culture, then God help poor Clio, for Pontus Hulten will...
...week "The Machine," a ten-week-long exhibit of 220 works detailing the myriad ways in which artists have viewed the mysterious powers that inhabit cogs, gears and transistors, opened at Manhattan's Museum of Modern Art.* The exhibit (see color pages) was put together by K. G. Pontus Hulten, 44, who as director of Stockholm's Moderna Museet staged one of the first kinetic art shows back...
Says K. G. Pontus Hulten: "All of us have a rather unclear and not very dignified relation to technology. We put hope in the machine and then get frustrated when it deceives us. How the artist in particular looks upon technology is very important-because it is the freest, the most human way of looking at a nonhuman object. Perhaps the artist will show us the way to a better relationship...
...ended his days in Russia as an obscure drafts man and stage designer, experimenting with Leonardo-like flying machines. (The Soviet government apparently still thinks so little of him that it refused to lend any work to the Stockholm show.) But in retrospect, argues the Modern Museum's Pontus Hulten, "Tatlin is emerging ever more clearly as one of the few really great figures of 20th century art. His ideas mean more at present for many of the younger artists than Picasso or the surrealists...