Search Details

Word: ponty (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...time, says Italian Designer Gio Ponti, for the modern male to rescue the double bed from the dainty clutch of the modern female. The ordinary double bed with its feminine frills not only sins against good taste, he argues, but is no place where a man can be sick with comfort or die with majesty. Agush with strong and sensible views on everything from bathroom faucets to skyscraper spires, Milan's Ponti exuberantly looks forward to the day when walls twist like trees and look like vegetables. See ART, The Pleasures of Ponti...

Author: /time Magazine | Title: A Letter From The Publisher, Sep. 9, 1957 | 9/9/1957 | See Source »

...Miller's Beautiful Wife (Ponti-De Laurentiis; DCA), based on The Three-Cornered Hat, the well-known Spanish comedy of confusion by Pedro Antonio de Alarcón, offers somewhat more confusion and rather less comedy than the novel. But the comedy is always pleasant, and the confusion, as Director Mario Camerini merrily confounds it in this Italian translation, has something of the suspense and desperate fascination of a tangle in milady's drawstrings...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 10, 1957 | 6/10/1957 | See Source »

Gold of Naples (Ponti-De Laurentiis; DCA). Once there was an aging nobleman (Vittorio De Sica) who, having gambled away the better part of his estate, was registered incompetent and placed in the legal guardianship of his wife. The lady, of course, cut off her husband's funds at once, and his fever for the tables raged in impotence. Every day, when he went for his walk, the count would bully the doorman, who, fearing for his job, would force his son (Piero Bilancioni), a boy about ten years old, to play cards with...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 25, 1957 | 2/25/1957 | See Source »

Woman of Rome (Ponti-DeLaurentiis; D.C.A.). In the novel by Italy's Alberto Moravia, the most important thing about La Romana is that she is a dark beauty who loves men and money. In the movie version, the most important thing about her is that she is played by Gina Lollobrigida. Gina's mother, an impoverished ex-model, leads her daughter into her old profession, hoping that it will lead Gina into an older and more profitable one. Mother proudly proclaims that "there was not a figure like [Gina's] in all Rome." As the movie opens...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 17, 1956 | 12/17/1956 | See Source »

...known to read a book since. As a child, Sophia was called stecchetta (little stick) because she was so frail. But at 14 she blossomed into something approaching her present contours, entered a beauty contest, won third prize and was off to Rome. Two years later Italian Producer Carlo Ponti met her and launched her in the movies. In the next four years, she ground out 20 films, nine in 1953 alone. Mostly, they were a tribute to matter over mind. But Sophia developed. Among other things, she learned to speak Italian without a Neapolitan accent...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 6, 1956 | 2/6/1956 | See Source »

Previous | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | Next