Word: ponytails
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Dates: during 1990-1999
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...Republican corral today, proclaiming sharp differences with his former party over the defeated balanced budget amendment. It was good news to Republicans, for a change, the day after their amendment was defeated in a close vote. They used the announcement by Campbell -- a 61-year-old who sports a ponytail and rides a motorcycle -- to celebrate GOP diversity. Senate Majority Whip Trent Lott (R-Miss.) pointed out that his great-grandmother was a Chickasaw Indian. Sen. Orrin Hatch (R-Utah) wore a beaded Navajo tie. Democrats suggested Campbell should quit the Senate and submit himself to a special election...
...recent training run, Carey, a ruddy-cheeked blond in a ponytail, shinnied 60 ft. up the mast, tools in hand, to tighten some screws while swinging in a harness high over the choppy seas. "This isn't a battle of the sexes," she said afterward. "This is about having fun." Squinting into the glare, she added: "And about winning...
...hair. On June 18, her husband made sure she could not afford even that strand of camouflage. Ted ambushed Dana (not their real names) as she walked from her car to a crafts store in Denver. Slashing with a knife, Ted, a pharmaceutical scientist, lopped off Dana's ponytail, then grabbed her throat, adding a fresh layer of bruises to her neck...
...that there's nothing there. The only attempt at drama, Rizzo's pregnancy scare, comes in the final scene of the play and rings embarrassingly false. The characters are such empty stereotypes that Sandy's costume change in the finale makes her almost unrecognizable-without her white dress and ponytail there's nothing left of the character...
...midst of this grim play. When the main characters begin their picnic, Frank eats barbarically while Ernest carefully slices his hot dog; as time goes on, Ernest begins to spit out hot dog chunks just as disgustingly as Frank. Ernest's long hair gradually falls out of his ponytail throughout the play, and Frank only puts his long hair into a ponytail when he becomes Ernest at the end. Despite the conversational, place-bound constraints of the script, Benjamin's direction holds the audience on edge with lots of movement, gesticulation, and anger...