Word: ponytails
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Before the ink on Jenna’s geeky school photo has dried, the popular crowd struts down the hall in a cloud of hot pink and sparkles. Led by blonde side-ponytail styled Tom-Tom, constantly sporting bangle bracelets and acid wash denim, the self-titled “Six Chicks” have mastered both the complicated walk-while-chewing-gum combination and the snide remarks to Jenna and her road-less-traveled, slightly pudgy (read: loser) friend Matt. Jenna is, like, so not cool. Her only solace is to wish of a future circumscribed by her favorite...
...assumed the Congress leadership. On the campaign trail she agrees to every supporter's request?fix the water, build a road, reopen someone's husband's factory?with a harried and unconvincing "Yes, we will do it." With her mournfully heavy mascara, her graying hair scraped into a stern ponytail and her tired face an impassive mask of duty, she is the picture of the devoted widow?and the antithesis of the bold Congress leaders of the past...
Created for women by the proud designers shown below and officially unveiled at the New York Auto Show last week, Volvo's "Your Concept Car" is supposed to be what women want. Some females found features like the ponytail rest a trifle sexist, but those who liked its handbag holders, computer-aided parking and easy-opening gull-wing doors will be happy to learn that the Volvo is just one of the formerly gender-neutral products being redone to suit them. Here's a sampler...
Robbin Mitchell, a Ralph Lauren VP of “replenishment,” stands at a podium in the downstairs parlor of the Harvard Faculty Club, where a Polo recruitment info session is being held. She wears a black blazer, and her hair is tied in a skinny ponytail. With the grace of an academic, Mitchell lectures a group of eager undergraduates about Polo’s Executive Training Program for graduating seniors and summer internship for sophomores and juniors...
...With his signature black turtleneck, neat goatee and long hair pulled back in a sleek ponytail, the 40-year-old Kon takes pains to set himself apart from the stereotypical otaku animator who's too immersed in his cartoon world to ever change out of slippers and pajamas. But Kon's distance from the anim? mainstream is more than sartorial; he is one of the rare animators whose creative point of reference isn't other animation or manga. Instead, he takes his inspiration from reality: "My ideas for movies come from the world that I live in. When I walk...