Word: poohs
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Dates: during 1960-1969
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...others. I was told that Sachs was trying to play Claudius as a Machiavellian Prince. He succeeded only insofar as he was extremely unemotional and dry throughout, save for occasional shouts and arrgghhs. Miss Allyn wasn't bad. She played Gertrude a little like Kanga in Winnie the Pooh. Which may be about right, because Gertrude is always so concerned and motherly, even, we suppose, as she helps murder old King Hamlet...
...many dull ones, and too many sleeping. Who wants to walk by skunks, donkeys, wild boars, and alligators to get to the monkey cage? I have nothing to say to those animals. Another problem is the bears. All real bears seem to be wildly imperfect reflections of the ideal pooh. If you don't believe me, go to the Square and look for the girl who sells home-made bears, and says in a tiny voice, "Bears for sale." In the middle of the Square. The girl is so tender and exposed that I melt...
...Richard Daley's Chicago machine, and corrupts the city police department. Salvatore ("Momo") Giancana may be hiding in Mexico, but his stand-ins, Tony ("Big Tuna") Accardo and Paul ("The Waiter") DeLucia still pack influence. Example: When a Justice Department report charged 29 Chicago policemen with being grafters, Daley pooh-poohed the allegations, took no action. Some of the 29 were subsequently promoted...
...rock musician, lead guitarist for Britain's Rolling Stones until his pullout last month in a dispute over the group's future musical direction; by drowning; in his swimming pool at Crotchford Farm in Hartfield, Sussex, the 15th-century farmhouse where A. A. Milne created Winnie the Pooh. A onetime garbage collector, Jones was musically memorable for his driving guitar in such hits as This Could Be the Last Time and It's All Over Now. Twice convicted on marijuana charges, he was severely fined but spared a nine-month jail sentence after a psychiatrist...
...technical preceptors in literature were Henry James and Joseph Conrad, two authors who shared an ability to interweave seamlessly dramatic theme and moral vision. Pooh-poohing grandiose abstractions, she persistently reasserted that the prime requisites for fiction are specific details, concrete images and exact sensations. "The fact is that the materials of the fiction writer are the humblest. Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough...