Word: poolfuls
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Dates: during 1990-1999
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...Hepburn. In addition to its complex roles, which require subtle yet stead-fast interpretation, it is an immensely technical production filled with lighting and staging tricks that require consistently perfect timing. Thus, when the Adams House Drama Society announced that it was staging Wait Until Dark in the claustrophobic Pool Theater, eyebrows were raised all over campus and curiosity was piqued...
Wait Until Dark requires deft stage direction and vigilant consistency since the story unfolds in real-time and the action rarely leaves the interior of the house. Ironically, the tight stage space of the Pool Theater allows this production to rise to the occasion. With careful attention to detail and placement, the crew has recreated the quaint apartment of Suzy and Sam Hendrix. Visible to the audience are the kitchen (complete with refrigerator, washer, etc.) and the living room, while the brief scenes in the bedroom are conveyed using illuminated character shadows...
...have of their stage space and spectacular technical direction. Light designer Mike DeCleene '97 deserves the highest praise for coordinating a lighting scheme that is not only excruciatingly intricate but also a key player in the production's narrative thrills. Each scene fades into complete darkness (and when the Pool Theater goes dark, we learn, it really goes dark), adding to the sense of mystery and building towards the final climax. In fact, when the lights go out for good, DeCleene and the directors seem to have all their bases covered; they play with a number of tricky light devices...
...Harvard arts scene. A popular complaint from students involved with campus productions is that Harvard's theatrical talent is stretched too thin. Indeed, McGuinness reports that there was some resentment directed at her show during common casting for precisely this reason: several other musicals were competing for the same pool of people. But Guys and Dolls, more than most other shows at Harvard, has attracted people from outside the regular theater community, from a capella to the Pudding to dance companies, and the result is a constant flow of energy and talent on the stage. The show makes a good...
...redefined the term global for a company that was already seemingly everywhere. By 1997 he pushed Coke's overseas profits up to nearly 80% of total earnings, from 65%. This global view was reflected in people too. Goizueta gave real meaning to the word diversity, developing a multinational talent pool. He also became an avid disciple of the idea of economic value creation--a gauge of success that eliminates accounting gimmicks. He used it to create more value in less time than almost anyone else...