Word: poorly
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Dates: during 1940-1949
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...eldest of nine children of poor Italian immigrants, John Deferrari was forced to quit school to help support his family. In Boston, whose North End slums were all that he knew, young John took up father Giovanni's career. A fruit basket on his arm, he started peddling apples and oranges in the State Street financial district...
...family is the most pervasive institution in Brazilian life. Yet many a husband is accustomed to seek sexual and social relations outside the home-the poor and middle-class at the clublike bordellos, the rich man with his mistress. Divorce is not recognized...
Humanized Mechanization. The only U.S. artist to rival Peale's mastery of still life was an Irishman named William M. Harnett. As sickly as Peale, Harnett was also dirt-poor to start with, took to painting still lifes because he could not afford live models. He made his dead models-rabbits, books, fruit, paper money-so convincing that guards were once posted to protect his canvases from clutching gallerygoers...
...represent 'old line management.' It is a replica of the stock character employed by Communists to represent Capital. ... It tells the American public that everyone who manages our railroads (and, by association of ideas, all owners of capital) is cruel, lazy and indecent ... pariahs feeding off the poor laboring man. Such a concept, as it gains ground in the mass mind, allows for no exceptions. Ironically enough, it finally comes to the point where even Mr. Young, who is a prominent capitalist, becomes associated in the public mind with the rapacious figure he created...
...life he had scribbled poor verses and unsuccessful plays (he was a little envious of the then famous and incredibly fecund playwright, Lope de Vega). But in Quixote, Cervantes knew that he had written a bestseller. He predicted, in jest, a sale of 30,000,000 copies (just about it). Biographer Bell, with other critics, observes that this bland and spacious masterpiece is less simple than it seems. More than a satire on medieval romances, which were the soap operas of Cervantes' age, it leads even the earthy Sancho Panza into a subtly dizzying identification of reality and dream...