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...children that they must abide by their grandparents' rules, e.g., no roughhousing indoors. "My in-laws really help out with the kids while my wife and I are working," he says. "I know that once we move out, my children will miss their time together with Grandma and Pop-Pop." Once we move out? That brings up one last point...

Author: /time Magazine | Title: Bunking In with Mom and Dad | 2/19/2009 | See Source »

...Ward isn't on your radar yet, he should be. The soft-spoken Portland, Oregon musician has released seven solo albums, toured with Norah Jones, co-produced a Jenny Lewis album, and recently teamed up with actress Zooey Deschanel to make one of the best folk-pop albums of 2008. Ward doesn't write songs so much as he makes melodies with words; the tunes will stick with you long after they've left your ears. His latest album, Hold Time, comes out Feb. 17. M. Ward talks to TIME about his songwriting process, living in Portland...

Author: /time Magazine | Title: Musician M. Ward | 2/17/2009 | See Source »

...wrote a beautiful theme that informs the kind of music that I like on the show. And then we basically get sent a bunch. Some of the music is not the music I listen to - for example, in the third episode Echo becomes a backup singer for a diva pop star, and that obviously is not my stuff. It just felt right for the episode...

Author: /time Magazine | Title: Q&A: Joss Whedon, creator of Dollhouse | 2/13/2009 | See Source »

...produce genius is a very old question, one that has occupied philosophers since antiquity. In the modern era, Immanuel Kant and Darwin's cousin Francis Galton wrote extensively about how genius occurs. Last year, pop-sociologist Malcolm Gladwell addressed the subject in his book Outliers: The Story of Success...

Author: /time Magazine | Title: Is Genius Born or Can It Be Learned? | 2/13/2009 | See Source »

...seeming reversal on their word count policy, prefer to forego their surnames—are much better at making music than they were at christening themselves.On their self-titled debut album, they prove themselves to be unapologetically dedicated to crafting tight and wistful three-minute pop songs. Boy-girl, matchy-matchy harmonies are blissfully paired with jangling rhythms and mumbled chords.To say that POBPAH’s music is derived from Twee—that dainty, sweet style that emerged from mid-80s England, then-described by music critic Simon Reynolds as “a revolt into childhood?...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: The Pains of Being Pure at Heart | 2/12/2009 | See Source »

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