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...reproduces on each page of its heavy gray cardstock one of the 125 lined index cards on which Nabokov penciled his story. And each card is perforated along the edges for the ultra-aficionado—who, having exhausted the author’s other collections, can pop out the notes to feverishly arrange and rearrange elements of the plot just as Nabokov himself is said to have done...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Nabokov's 'Original of Laura' Remains Unpolished | 2/2/2010 | See Source »

Vampire Weekend are a rather unremarkable band. Ezra Koenig and company are little more than a few slightly preppy guys who got together at Columbia and started writing charming, inoffensive pop songs. Their most remarkable feature, their influence by African music, has in fact been vastly overstated and, given the recent success of internationalist groups like Yeasayer and The Very Best, it’s much less novel than it was back...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Vampire Weekend | 2/2/2010 | See Source »

...they have attracted a considerable backlash from hipster circles is possibly even more surprising. There’s very little to dislike in their songs: the lyrics are tinged with intellectualism, but their vagueness and anti-elitism renders them pretty harmless. The music is a delicate blend of indie pop, steady rhythms, and chamber music: again a combination not designed to offend. Vampire Weekend know what they do and they do it well, as proven on their second album, “Contra...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Vampire Weekend | 2/2/2010 | See Source »

...truth, Wayne’s rap-to-rock and rock-to-rap translations lose significantly more than they gain. The crucial elements of the artist’s past success have been pop grooves that were radio-ready, like “Lollipop”, and aggressive, brash songs you could still bounce your head to and enjoy, such as his first major hit, “Go DJ.” The sort of fun and confidence that were needed to produce these big hits runs contrary to the seriousness of the major theme of “Rebirth?...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Lil’ Wayne | 2/2/2010 | See Source »

Wayne continues this trend of combining punk, metal, and rock influences with middle school pop lyrics throughout “Rebirth.” In “Paradice,” Wayne copies the narrative structure of Journey’s legendary “Don’t Stop Believin’,” rapping first, “she was a young girl,” and then, “he was a young boy;” and directly references Smash Mouth’s equally famous “Allstar...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Lil’ Wayne | 2/2/2010 | See Source »

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