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...Cuba by Castro for the show, filed shocked reports. They were unaccustomed to the normal standards of Cuban jurisprudence, which permits trials by a panel of judges instead of a jury, admission of hearsay evidence. But they indignantly faulted the trials for the open prejudice of the judges, the popcorn-munching atmosphere, the haste, the catering to the mob's thirst for blood. Cracked one reporter: "Where do the lions come in?" Castro's bad press notices mounted, from Buenos Aires, Rio, Lima, Bogota, Mexico City. "The laurels have been soiled by blood," said Bogota's respected...

Author: /time Magazine | Title: CUBA: The Scolding Hero | 2/2/1959 | See Source »

Double Doors. Near Trenton, N.J., the caravan pulled up at a Howard Johnson roadside restaurant. Mikoyan breakfasted at the counter (tomato juice, toast, marmalade, coffee), and, as the Soviet Union's chief dispenser of consumer goods, studied with fascination a popcorn maker, gum and cigarette vending machines. At Perryville, Md., the cars stopped at the pink stucco Oakcrest Motel. Through an interpreter Mikoyan braced the astonished owner: Did he make a profit? ("That's what we're in business for.") Why did the units have two doors? ("One's a storm door.") Did his family help...

Author: /time Magazine | Title: FOREIGN RELATIONS: Arrival in the Dark | 1/12/1959 | See Source »

...puppets, live actors and animated cartoons with such skill that not once can the spectator see the embarrassing seam where two sorts of cinema meet. As a piece of entertainment, the film is unusually fresh and appealing; it is kid stuff, but it will probably sell a lot of popcorn to the grownups...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 5, 1959 | 1/5/1959 | See Source »

Hingle (as J.B.), Raymond Massey as Mr. Zuss (the balloon salesman who plays God), Nan Martin as J.B.'s wife, and Christopher Plummer as Nickels (the popcorn vendor who portrays Satan) are all excellent. Boris Aronson's set is magnificent; Miss Ballard's costumes catch the proper blend of the gaudy and grotesque; David Amram's music and Tharon Musser's lighting lend almost surrealistic overtones to the drama. And Kazan ringmasters his menagerie with the genius which has earned him his reputation...

Author: By John D. Leonard, | Title: J.B. | 12/19/1958 | See Source »

...said, kissing her, digging her, all choked up with love and Zen and a mouthful of popcorn to go with the beer. "Sam is giving me a big party, and then I got to go." Sam was my friend and he was hip and I called...

Author: NO WRITER ATTRIBUTED | Title: ON THE HIGHWAY | 10/31/1958 | See Source »

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