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...four speakers at a symposium sponsored by the Harvard Dramatic Club in the Kirkland House Junior Common Room were W. Elliot Norton '26 of the Boston Record, Lyon Phelps '46 of the Boston Herald, Henry Popkin of the Kenyon Review, and Gavin Scott '58-4 of the CRIMSON. Gaynor F. Bradish '52, instructor in English, moderated the panel...

Author: NO WRITER ATTRIBUTED | Title: Local Critics in HDC Symposium Suggest Goal for Student Drama; Discuss Problems, Role of Critic | 11/3/1958 | See Source »

Seniors from Lowell included W. French Anderson, Jerry A. Bell, Henry R. Breck, James A. Burke, R. D. Campbell Jr., Adam Clymer, David D. Hall, Thomas M. Harrington, Harvey A. Harris, Eric Martin, M. Donald MacLaren, Robert H. Neuman, William D. Popkin, Charles E. Rossi, George M. Rossman, David F. Silbert, and Arthur R. Steinberg...

Author: NO WRITER ATTRIBUTED | Title: Phi Beta Kappa Will Initiate Eighty New Seniors as Members | 6/9/1958 | See Source »

William D. Popkin '58, of New York City and Lowell House, has been elected president of the Pre-Law Society, it was announced recently. New vice-president of the group is Thomas A. Zierk '58, of Buffalo, N.Y. and Lowell House...

Author: NO WRITER ATTRIBUTED | Title: Popkin Will Direct '57 Pre-Law Group | 2/15/1957 | See Source »

...Banana (Harry Popkin; United Artists) brings Comedian Phil Silvers to the screen in a literal photograph of his long-running Broadway burlesque of burlesque. The sad truth seems to be that burlesque is a delicate flower: it needs a little dirt to grow in, but the censors, in this case, have carted away what little there was. Nonetheless, Comedian Silvers manures his garden energetically with the few faintly smelly old stories he has left (She: "I'd do anything to get into television." He: "It's not that easy...

Author: /time Magazine | Title: Cinema: Facing the Music | 2/22/1954 | See Source »

...Thief (Harry Popkin; United Artists) takes its inspiration from the old adage that a picture is worth a thousand words: it is a sound film in which no one ever speaks. The movie manages to get along quite well without dialogue because it is an uncomplicated chase thriller told with the camera on a simple physical and psychological level. The thief is a nuclear physicist (Ray Milland) employed by the U.S. Atomic Energy Commission, where he is microfilming top secret documents for a foreign spy ring. When the FBI gets on his trail, he flees to New York, kills...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 13, 1952 | 10/13/1952 | See Source »

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