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Word: popkin (lookup in dictionary) (lookup stats)
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...Second Woman (Harry Popkin; United Artists) improves on the old Hollywood custom of modeling a movie after a hit. The picture apes not one model but at least three. Its title trades on The Third Man, while most of its twists come straight out of Alfred Hitchcock's Rebecca and Spellbound...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 19, 1951 | 2/19/1951 | See Source »

...plot of this new Popkin Production is fantastically complicated. It concerns a notary public who has unwittingly signed a bill of sale for some stolen merchandise, an innocent man who tries to clear himself by finding the bill and the notary, and the thief. The innocent is murdered and the notary poisoned. In the last few hours of the notary's life a search for the poisoner ensues; it is here that the film finds its motif...

Author: By Herbert S. Meyers, | Title: THE MOVIEGOER | 6/12/1950 | See Source »

Champagne for Caesar (Harry Popkin; United Artists) has a head start over most Hollywood comedies: an original idea with some satiric bite. But it soon grows painfully clear that the idea has fallen into the wrong hands. Setting out to make radio's giveaway craze look silly, the picture winds up looking even sillier...

Author: /time Magazine | Title: The New Pictures, May 8, 1950 | 5/8/1950 | See Source »

...Popkin Productions have taken up the crusade against the giveaway quiz program. The plot is good, the acting excellent, but the picture too long...

Author: By Herbert S. Meyers, | Title: THE MOVIEGOER | 4/26/1950 | See Source »

Ronald Colman is Mr. Popkin's knight on white horse, armed with an inexhaustible supply of knowledge. After watching a program called "Masquerade For Money," Colman decides that the level of intelligence encouraged by this program is the fore-runner of intellectual degeneration, and slowly forms a plan to kill the program...

Author: By Herbert S. Meyers, | Title: THE MOVIEGOER | 4/26/1950 | See Source »

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