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Enter Countess Popova (Eve H. Bryggman ’10), a velvet-clad Russian vamp who rents a room beneath the Marcassols. Unable to restrain himself, Gustave quickly becomes more than just the Countess’ landlord. But he is convinced that he can only run away with her if he can secure a suitable second husband for Claudine...

Author: By Erin F. Riley, CRIMSON STAFF WRITER | Title: ‘Take Her, She’s Yours!’ Takes the Cake | 11/18/2007 | See Source »

...fire.” So I’m excited for my fiancée to see that scene.RR: Are you going to give him the same divorce condition?MG: Um...Eve H. Bryggman ’10RR: So who do you play?EB: I am Countess Popova. She basically is the tenant who lives downstairs from the main character, and she’s having an affair with him. Actually, she’s having multiple affairs. And so I come on for a couple scenes, talk in a Russian accent, or at least I attempt one, and then...

Author: By Jeffrey W. Feldman, CONTRIBUTING WRITER | Title: French Farces at Adams House | 11/15/2007 | See Source »

...rescuing art that had been proscribed by the Stalinist regime. Although Stalin died in 1953, the fear that his rule instilled in his subjects lived long after him, and there was every chance that Savitsky - with his burgeoning collection of abstract and avant-garde pieces by the likes of Popova and Redko - would be denounced as a counterrevolutionary. He had to proceed with extreme discretion, but over time Savitsky amassed more than 50,000 pieces of Gulag-era art, tracking them down in hiding places all over the Soviet Union and smuggling them to his desert sanctuary. Today, this trove...

Author: /time Magazine | Title: Desert Flower | 11/12/2006 | See Source »

Malevich, Popova, Kandinsky, Chagall-these are the names that typically come to mind when someone mentions the Russian avant-garde in its early twentieth century heyday. In her book Exploring Color: Olga Rozanova and the Early Russian Avant-Garde, 1910-1918, art historian Nina Gurianova adds a new name to the old list by paying tribute to Olga Rozanova, a lesser known artist, and showing how she helped pioneer developments in futurism, suprematism and the role of color in painting...

Author: By Anya Wyman, CONTRIBUTING WRITER | Title: Rediscovering Rozanova | 5/12/2000 | See Source »

...painted wood; the disembodied black and red squares of now cracking paint. French gallerygoers 100 years ago never felt like this about the art of the French Revolution. Jacques-Louis David looked old-fashioned by then, whereas Wassily Kandinsky, Kazimir Malevich, Vladimir Tatlin, El Lissitzky, Alexander Rodchenko, Liubov Popova and all their colleagues in the ism soup of the Russian artistic vanguard still look fresh and daring...

Author: /time Magazine | Title: Art: Russia's Great Flowering | 11/2/1992 | See Source »

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