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Word: popped (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...only have three years left until the big millennial shift--actually the new millennium doesn't begin for four years, but for the sake of pop culture and a great tradition of miseducation, let's just play along with the year 2000 hype...

Author: By Baratunde R. Thurston, | Title: techTALK | 4/1/1997 | See Source »

...onslaught of pop psychology that has followed the grim discoveries at Rancho Santa Fe, so-called mind control experts have speculated that the fault somehow lay in the tech world, that something about the Web explained Heaven's Gate and the isolation of its members from the cushioning norms of society. Not true. The cult had been around for 22 years, and had seen better days. Most of its members were Web novices at best. Yet in some ways, the Web was made for groups like this. For it is not the culture of the Internet, but its utility...

Author: /time Magazine | Title: The Power of Virtual Community | 4/1/1997 | See Source »

...result sounds a bit like a Broadway show, but one composed by a pop-culture channel surfer on uppers. Jackie is a sweet-toned lyric soprano; Ari, a bass-baritone, is a smarmy lounge lizard (one of his big arias is marked in the score, "Freely sung, a la Dean Martin"). The music they sing jumps joltingly from folk rock to Motown to big-band jazz, all kaleidoscopically orchestrated for a 19-piece pit band with two percussionists. And although the tone is mostly light and lively, an unexpectedly affecting streak of melancholy surfaces whenever Jackie sings of her lost...

Author: /time Magazine | Title: MUSIC: CROSS OVER, BEETHOVEN | 3/31/1997 | See Source »

Does all this really add up to opera? It's hard to say--and that's the point. For like the rest of Daugherty's music, Jackie O resides in the limbo between classical and pop known as "crossover," the rapidly increasing popularity of which is changing American classical music...

Author: /time Magazine | Title: MUSIC: CROSS OVER, BEETHOVEN | 3/31/1997 | See Source »

...Alley refugee named George Gershwin sent wigs flying with such concert scores as An American in Paris. What has changed is that today's listeners, raised in an era of shrinking arts education, are showing less interest in the classical standards. Meanwhile, younger classical performers, themselves suckled on pop, want to play it, not only to make big bucks but also because they like it. When Jean-Yves Thibaudet, famous for his interpretations of Ravel and Rachmaninoff, records an album of piano solos by jazz great Bill Evans, or the Kronos Quartet programs Jimi Hendrix side by side with Bela...

Author: /time Magazine | Title: MUSIC: CROSS OVER, BEETHOVEN | 3/31/1997 | See Source »

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