Word: popped
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Dates: during 1990-1999
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...1980s Prince -- yes, he now goes by an incomprehensible glyph, but we're old-fashioned -- became a huge star by ingeniously weaving together two powerful strands of pop music: the guitar-based rock of Jimi Hendrix and the rhythm-heavy funk of George Clinton. With a great gift for melody and a protean instrumental talent, Prince released such commercial and artistic triumphs as Purple Rain and Sign o' the Times. In his persona, meanwhile, he presented himself as a sort of pansexual sprite. Tiny, mascara wearing, lubricious, he gave erotically charged performances and bestowed on his records titles like Lovesexy...
Vamps & Tramps is an apt title, and not just because, as the author writes, it "evokes the missing sexual personae of contemporary feminism" -- the drag queens and prostitutes who are the stars of her cosmology. The title also summarizes Paglia's method. Toss her a pop-cultural subject (Amy Fisher, Lorena Bobbitt), and she'll vamp on it, often brilliantly. Invoke her prim sisters in "the feminist establishment" (Anita Hill, Catharine MacKinnon), and she'll tramp on them with the Cuban heels of her rhetoric. Into any fray she bursts, a media Medusa, a Valkyrie for hire, Penthesilea fighting...
Academics ought to have a longer shelf life than pop stars. So maybe Madonna wasn't such a swell role model for Camille Paglia, a humanities professor at Philadelphia's University of the Arts. Sexual Personae, a rambunctious survey of gender identities published in 1990, made Paglia into feminism's Material Girl. In a whiny time that sanctified women as victims, she celebrated woman's erotic and emotional majesty. Just like that, she was the hot intellectual starlet...
...ends of the Paramount stage (already double the width of the standard Broadway stage) so that it seems to embrace the audience. And everywhere there is wonder to behold: Jacob Marley's huge skull glowering on the facade of Scrooge's house, sets that open and fold like mammoth pop-up Christmas cards, a spider web of gold chains on which Scrooge is crucified by remorseful ghosts, a tombstone that forces him into the rising fires of hell...
...mission of the Fund, since its establishment in 1979, has been to preserve the "mom-and-pop" feel of the Square and prevent big business takeovers, said panelist Webb Nichols, a local architect...